It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 24, 2013, 08:29 AM
http://www.fcpxland.com/tips-timelapse-videos-3631...
Last week we released an article with tips for making an ultra slow motion video, a process which includes recording at a high frame rate and playing back at a slow rate. We felt like it only makes sense to now give out some tips for how to make a video with a slow frame rate and a fast playback – timelapse videography.
March 23, 2013, 02:02 PM
http://postfifthpictures.com/2013/03/hard-drive-de...
I love reading SlickDeals.net for good deals. Found a hard drive that some people might find interesting for smaller projects. Check it out.
March 23, 2013, 08:02 AM
http://neilsadwelkar.blogspot.ca/2013/03/final-cut...
There is considerable interest in editing new, digitally originated feature film projects with Final Cut Pro X or FCP X. And, according to many this is possible and done. So, if you're still sitting on the fence, check out these articles...
March 23, 2013, 08:01 AM
http://pospotime.wordpress.com/2013/03/23/audio-th...
Taking a break in Audio for DSLRs, I've found some very interesting resources on how to work better audio Made in partnership with Sennheiser, they are funny, very-well done and although it is...
March 22, 2013, 05:20 PM
http://provideocoalition.com/ssimmons/story/first-...
The review, commenting and approval process is certainly an important one when it comes to getting a client to sign off on an edit and get the job out the door. How exactly you go about this task so that it is painless for both editor and client can be a very big question. If time and proximity permits having a client sit in on the session that is a great way to go. If you’re separated by distance you might choose something like First Cut Pro.
March 22, 2013, 11:20 AM
http://feedproxy.google.com/~r/norendercom/~3/KB6Z...
Hoy presentamos una nueva entrega de la guía norender.com sobre el mundo de las expresiones ...
March 22, 2013, 11:20 AM
http://www.fcp.co/final-cut-pro/news/1077-arctic-w...
We previewed The Touch earlier in the week and the good news is that today, Friday is the official release date. It retails for EUR19.95 and there's 300 gestures free for you to test it out. So get swiping!
March 22, 2013, 11:16 AM
http://www.borisfx.com/borisfxnews/2013/03/20/appl...
In response to a question on the Avid Community Forums, Boris FX Senior Product Manager Dirk de Jong illustrates a simple way to apply masks to a container element within the Avid FX or Boris RED environment by exploiting the pre-composition function. Pre-composition is a simple, powerful way to manipulate containers - very useful when compositing in Avid FX or Boris RED.
March 22, 2013, 11:15 AM
http://www.finalcutpro.es/2013/03/truco-cambiar-la...
En Final Cut Pro X a veces queremos mover o realizar otras operaciones en clips del Primary Storyline y se mueven con ellos otros clips conectados que no deseamos. En la mayoría de ocasiones bastará con cambiar la conexión, haciendo que el clip conectado se conecte con otro diferente del Primary Storyline. Para cambiar la..
March 21, 2013, 06:17 PM
http://g-technology.tumblr.com/post/45934025472
Jump cuts are often one of the most awkward parts of filming and editing video, but if they're used strategically, they can be a great way to capture and direct your viewers' attention.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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