It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 12, 2013, 10:12 PM
http://www.screenlight.tv/blog/2013/02/08/what-is-...
If you work in production or post you have probably heard the term DIT mentioned. The DIT is a new job that that is on the rise with the popularity of digital filmmaking with RED/ARRI cameras. It is a hybrid of production and post production (part camera department, part post). The DIT ingests the media, consults with the DOP, and does onset color correction as the footage is usually shot in Log and appears flat.
February 12, 2013, 10:10 PM
http://www.hdwarrior.co.uk/2013/02/13/a-major-plug...
Looking at FCP.CO tonight the second story was about two plugin companies, Pixel Film Studios and Motion VFX.This article was written for everybody, who buys plugins and lives in a motion graphics; Apple Motion, Adobe Premiere, AE & Final Cut X world. My name is Szymon Masiak, I am the founder and owner of MotionVFX. We believe in hard, honest work.
February 12, 2013, 04:13 PM
http://feedproxy.google.com/~r/deysonortiz/feed/~3...
Here is a cool free share to add to your videos: Thank you Vinhson! Free Light Leaks Pack...
February 12, 2013, 04:13 PM
http://provideocoalition.com/adobe/story/film-unit...
Remember the 1970s days of Saturday Night Live (SNL) and the Coneheads? Okay, you may be too young, but trust us: it’s as hilarious now as it was then. George Carlin was the first host, alongside comedy legends like Chevy Chase, Dan Aykroyd, Gilda Radner, Jane Curtin, and John Belushi...
February 12, 2013, 01:03 PM
http://feedproxy.google.com/~r/editcellar/~3/SIF8V...
Today’s tutorial is NLE specific for Adobe Premiere Pro CS6. However, the tips are also good for many previous versions, and even some similar functioning NLEs. One of the best ways to save hours of tedious time editing is to customize your keyboard shortcuts. This tutorial focuses on one specific way to customize a portion...
February 12, 2013, 01:03 PM
http://www.fcp.co/final-cut-pro/news/1044-the-fcpx...
A sad day in the Final Cut Pro X ecosystem as a row has broken out over the copying, publishing and selling of a copyrighted product. We won't go into the exact details here, but we will comment on the growing problem of copyright violation.
February 12, 2013, 01:01 PM
http://provideocoalition.com/mspencer/story/saving...
On this week's MacBreak Studio, I show Steve Martin from Ripple Training how you can modify effects in Final Cut Pro X and then save them for later use.
February 12, 2013, 01:01 PM
http://www.fcp.co/final-cut-pro/news/1045-saving-f...
One of the features lacking in FCPX is the ability to save favourite effects just like our much loved FCP7 was able to. This new episode of MacBreak Studio shows us a workaround that works, for the majority of the time anyway.
February 12, 2013, 01:01 PM
http://www.borisfx.com/borisfxnews/2013/02/12/comp...
In this Boris TV episode, Kevin P McAuliffe creates a video wall in 3D space in just minutes using Boris Continuum Complete's Wild Cards filter in his Avid editing system. Not only is BCC Wild Cards easy to use, but it is quick to manipulate to produce stunning effects. BCC Wild Cards is new in version 8 of BCC.
February 12, 2013, 12:58 PM
http://www.premiumbeat.com/blog/slow-motion-premie...
There's a right and wrong way to do slow motion in post-production. In this article, we show you how to create beautiful slow motion using 60p video in Adobe Premiere Pro.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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