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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Ontario Canada – Editing Workshop

November 6, 2014, 06:00 AM

http://feedproxy.google.com/~r/industryhappenings/...

December 6 & 7, 2014 Where: Hideaway Pictures/Northern Ontario Film Studios 828 Beatrice Cresent, Sudbury, ON Time: 10 am to 4 pm each day Instructor: Hoi F. Cheu, Associate Professor – Laurentian University Fee: $75 – 1 day and $125 – 2 days Participants will learn the principles of editing as follows: Saturday Morning: Structural Principles from Shot to Shot (Concepts: Classical Narrative Structure, Coherence and Flow, Plot Time and Screen Time) Saturday Afternoon: Linear Time and Co...

Online – Webinar: mocha for Beauty Work

November 6, 2014, 06:00 AM

http://feedproxy.google.com/~r/industryhappenings/...

Retouching and Reshaping REGISTER NOW: https://www4.gotomeeting.com/register/358050983 As high definition and 4K rapidly become the norm, there are more calls for digital beauty work in typical post-production. Formerly a hidden practice for photo retouchers, digital makeup and modification can help elevate your actor’s performance and production. Learn how mocha’s planar tracking and new open spline workflow can be used to reshape, relight and retouch moving footage. This month’s free...

Attend a Panel Discussion About the Merging of Pro

November 3, 2014, 01:25 PM

http://provideocoalition.com/news/story/attend-a-p...

The evolution of digital production has brought about a cosmic shift in the “traditional roles” of Production and Post.  No longer separated by time and distance, now many aspects of Post are done almost simultaneously to production and very often right on...

4K EVENTS FROM DIGITAL CINEMA SOCIETY

October 30, 2014, 10:40 AM

http://lappg.com/4k-events-from-digital-cinema-soc...

There’s plenty of focus on 4K right now! Check out these November events in addition to our own LAPPG November… Read more

Netflix To Detail Encoding Specs

October 27, 2014, 12:40 PM

http://blog.streamingmedia.com/2014/10/netflix-key...

When it comes to streaming video online, Netflix has been doing it longer than almost anyone and has some of the best quality video available. If you’ve ever wanted to know how Netflix gets such good quality and how they encode their videos, then you won’t want to miss their keynote on November 19th...

Evaluating the Edit Take 2

October 27, 2014, 09:36 AM

http://moviola.com/webinars/evaluating-the-edit-ta...

Join us for another unique and interactive online event, Evaluating the Edit Take 2, with Stan Salfas, ACE, editor of DAWN OF THE PLANET OF THE APES and Senior Lecturer of Editing at the AFI Conservatory, which is ranked among the top graduate film schools in the world. Those who register for this event will be given free footage from EditStock.com to edit and submit before the webinar for an opportunity at an evaluation by this respected professional. Five submissions will be selected for live ...

Independent Filmmakers of the Inland Empire Has a

October 27, 2014, 04:44 AM

http://wordpress.quintessentialstudios.net/?p=797

From the beginning, finding a place to meet for IFIE (Independent Filmmakers of the Inland Empire) has been a challenge. Last month The Art Institute of California – Inland Empire reached out to us and offered their facilities to us for our November meetup. I toured the space and it is awesome. I had no [...]

ICA 101: An Intro to Colorist Strategies with Reso

October 27, 2014, 04:42 AM

https://events.creativecow.net/event/3737/ica-101-...

A great introduction to Resolve Mac V11 software. This class is ideal for first time users, you do not need to be a Colorist or have had previous grading or Resolve experience. The class mixes the operational side of Resolve with some practical real world training on workflows, basic color theory, grading approaches and techniques.

Adobe After Effects Level III

October 27, 2014, 04:42 AM

https://events.creativecow.net/event/3744/adobe-af...

This two-day advanced class will help you achieve better results from this comprehensive application. Building on concepts from After Effects Level 1 and Level 2 classes, this course covers all about alphas (straight vs. pre-multiplied alphas, working with Photoshop and Illustrator and vector paint) and advanced formatting and rendering (video, interlaced footage and fields, 3:2 pulldown, pre-rendering and proxies, as well as advanced rendering plus network rendering)

ICA 201: Advanced Colorist Strageties with DaVinci

October 27, 2014, 04:39 AM

https://events.creativecow.net/event/3740/ica-201-...

This new class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning.

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