It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 8, 2014, 04:29 AM
http://www.pr.com/press-release/585609
Burbank, CA, October 08, 2014 --(PR.com)-- The Editors’ Lounge panel series returns on Friday, October 24th with a discussion on The Business Of Editing. If you’ve been wondering what it takes to have a lucrative career as a professional editor in today's post-production world this informative discussion by a panel of award-winning editors, will offer new ways of approaching the business side of editing without losing the creative aspect of the craft.
October 6, 2014, 04:39 PM
http://www.awn.com/news/dreamworks-animation-host-...
Dreamworks Animation is hosting a special screening of Makers: Women In Hollywood, followed by a filmmaker panel discussion with Linda Woolverton, Dyllan McGee and Margie Cohn, on Tuesday, October 7, 2014 at 7:00 PM.
September 29, 2014, 05:05 AM
http://www.cceditors.ca/forscene-demo/
On Tuesday September 30th, 2014 at 7pm at Triangle Post. 241 Spadina Avenue, 2nd floor Toronto, Ontario, Canada M5T 2E2 ph – 416 504 2880 4 seats available to C.C.E. members. Please RSVP to info@cceditors.ca
September 27, 2014, 08:45 AM
http://feedproxy.google.com/~r/industryhappenings/...
J.J. Abrams (Lost) will receive the Visual Effects Society’s Visionary Award, for “his expert blending of visual effects, evocative characters and a remarkable imagination.” The 13th Annual VES Awards takes place February 4 at the Beverly Hilton.
September 26, 2014, 02:32 PM
http://www.creativeplanetnetwork.com/news/edit/lap...
The Los Angeles Post Production Group will be showcasing the post production workflow for the soon-to-be-released feature film, Gone Girl at their October 8th Meeting at 7pm at Crossroads School in Santa Monica.
September 24, 2014, 07:05 PM
http://news.creativecow.net/story/877313
(Los Angeles, California--September 24, 2014) The Los Angeles Post Production Group (LAPPG) is honored to showcase the post production workflow for the soon to be released feature film, Gone Girl at their October 8th Meeting at 7pm at Crossroads School in Santa Monica.
September 24, 2014, 09:15 AM
http://events.creativecow.net/event/3720/post-work...
David Fincher’s latest feature film, Gone Girl employed the most advanced technical workflows of any film ever produced to date. Gone Girl marks the first 6K real-time review pipeline in any feature film production. Meet Gone Girl post production engineer, Jeff Brue as he discusses the challenges of shooting in 6K on the RED Dragon camera and the streamlined workflow featuring Adobe® Premiere® Pro CC powered by HP Z Workstations with Intel® Xeon® processors and NVIDIA Next-Gen Quadro GPUs.
September 23, 2014, 07:05 PM
http://feedproxy.google.com/~r/industryhappenings/...
The job of the assistant editor has never been so tough. Assistants are expected to handle a dizzying array of tasks including how to ingest a myriad range of file formats and codecs, Sync and group multiple cameras, prep for export and on-line and of course, organize, organize, organize. Assistants are often expected to know everything from “why did my computer crash” to “why can’t I AMA link my 5D footage” to “where are my are keys?!”. This workshop will teach you the ...
September 23, 2014, 07:05 PM
http://feedproxy.google.com/~r/industryhappenings/...
(Part 1) Editing Essentials with Avid Media Composer 7 – $1,295 This class is offered as a $995 weekend course (material is compressed into two-days with less lab time) or a $1,295 three-day course that introduces the concepts of nonlinear editing and includes all basic features of the Avid Media Composer system for Macintosh. This course is the first step in achieving confidence, creativity, and efficiency with Avid Media Composer 7, the non-linear film/video editing application u...
September 23, 2014, 07:04 PM
http://www.postmagazine.com/Press-Center/Daily-New...
BURBANK, CA — The next gathering of The Editors’ Lounge will take place on Friday, September 26th, at Alpha Dogs, here. Avid, EditShare and AlterMedia will all be on-hand to share details on their latest post production tools.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.