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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe Premiere Pro 250 : Conference-Seminar

January 7, 2014, 02:09 PM

http://events.creativecow.net/event/3407/adobe-pre...

This two-day workshop is designed for the experienced editor who has either Avid, FCP or other equivalent editing experience. Students will go step-by-step through the entire editing process in Premiere Pro, from file creation all the way through output.

Intro. to Adobe After Effects Workshop

December 23, 2013, 05:16 PM

http://events.creativecow.net/event/3392/intro-to-...

This intense all day workshop is intended to give students a solid understanding of the basic functionality of Adobe After Effects and the confidence with the interface to tackle more complex projects and workflows.

NYC – Avid Media Composer 101

December 20, 2013, 08:21 PM

http://feedproxy.google.com/~r/industryhappenings/...

(Part 1) Editing Essentials with Avid Media Composer 7 – $1,295 This class is offered as a $995 weekend course (material is compressed into two-days with less lab time) or a $1,295 three-day course that introduces the concepts of nonlinear editing and includes all basic features of the Avid Media Composer system for Macintosh. This […]

Women In Post Event

December 20, 2013, 10:43 AM

http://myemail.constantcontact.com/Start-the-New-Y...

Join HPA's Women in Post group for an informative breakfast, where the pros will teach you how to promote yourself by speaking up, standing out and building a personal brand. Don't miss this excellent opportunity to sit down with professionals who can give you been-there-done-that advice on finding ways to position yourself within your company and the industry as a whole. Figure out where the opportunities are, important skill sets, how to set yourself up as an expert and so much more. Come with...

BAVUG - Blackmagic workflows

December 19, 2013, 10:56 AM

http://www.eventbrite.com/o/boston-avid-users-grou...

The Boston Avid User Group (BAVUG) is a community of Avid professionals, students and enthusiasts from the New England area who meet monthly to share positive experiences and concerns to learn new skills relating to Avid solutions and related technology.

Avid Media Composer 101/110

December 18, 2013, 01:11 PM

http://events.creativecow.net/event/3379/avid-medi...

This five-day intensive course combines our MC 101 (Part 1) Editing Essentials with Avid Media Composer 7 workshop and our MC 110 (Part 2) Effects Essentials with Media Composer 7 workshop. This course leads you through the interface and basic editing techniques before moving on to trimming, fine-tuning the edit, adjusting audio, handling multicamera editing, adding transitions...

NYC – Smoke 101: An Introduction to Smoke

December 14, 2013, 09:25 AM

http://feedproxy.google.com/~r/industryhappenings/...

This three-day hands-on course introduces key interface components, media management, editing essentials, color correction, basic animation techniques, keying and compositing. This course also provides an introduction to ConnectFX/Action: Smoke’s powerful 3D compositing environment. The goal of this course is to enable editors and compositors to quickly learn the essential skills needed to use Smoke in […]

NYC – Smoke 201: Advanced Compositing

December 14, 2013, 09:25 AM

http://feedproxy.google.com/~r/industryhappenings/...

This two-day hands-on course focuses on advance compositing and visual effects. You will learn keying; color correction and tracking techniques that will help you achieve complex composites with professional results. As well you will create 3D scenes that take full advantage of Smoke’s powerful 3D compositing environment and 3D tools. This course complements the Smoke […]

Introduction to Adobe AE

December 13, 2013, 05:24 AM

http://events.creativecow.net/event/3369/introduct...

This 3-Week course is intended to give students a solid understanding of the basic functionality of Adobe After Effects and the confidence with the interface to tackle more complex projects and workflows. Each class is broken up into two halves, in the first half students will assemble and animate a layered puppet. In the second half of the class, the 3D camera will be introduced as well as basic z-space animation.

Los Angeles CA – Doc U Point of View: Editors on

December 11, 2013, 05:37 AM

http://feedproxy.google.com/~r/industryhappenings/...

Great documentaries are made, not born, and the place where that happens is in the editing room. A good editor can save a documentary director’s neck; a great one can make a director look like a genius. So, who are these saviors and alchemists and what special storytelling skills do they have that filmmakers can […]

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