It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 7, 2020, 12:08 PM
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Last year, Mill Film originally shared our diversity commitments in an article just like this on LinkedIn (check it out here). Our commitment was to achieve gender equity in our creative crew, following a plan called 50/50 by 2020. The article came on the back of our success in 2018 where we exceeded our commitments and went into 2019 confident, resilient and a little bit bullish. The article resulted in a great and candid debate, lots of new allies and eventually led to a broade...
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The Open Call for submissions for our 2020-21 Emerging Editor Fellowship has begun! If you are an emerging documentary film editor who has cut between one and three films with at least one of those being a documentary, please take a look at our FAQ to see all of our eligibility rules. Please keep in mind that while our fellows have edited many successful and high profile films, most of them only had one feature credit when they applied.The online application deadline is Friday, March 13, 202...
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Adobe is another company that has decided to cancel events due to the coronavirus concerns. The Las Vegas Summit, which was scheduled to run from March 29 to April 2...
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After Effects CS5 saw several significant new features added, including Roto Brush and mocha for AE, which will be the focus of our next couple of posts. (CS5 also saw...
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March 2, 2020, 02:32 PM
https://www.broadcastbeat.com/motion-picture-sound...
Los Angeles—Presenters for the 67th MPSE Golden Reel Awards will include Grammy Award-winning recording artist Melissa Manchester, All Rise star Nadia Gray, The Climb director Michael Angelo Covino, Dark/Web star Michael Nardelli, Gabby Duran & the Unsittables star Valery Ortiz and Stucco director Janina Gavankar. The awards ceremony is scheduled for Sunday, January 19th at ... The post Motion Picture Sound Editors Announce Presenters for the 67th MPSE Golden Reel Awards appeared first on...
February 29, 2020, 08:01 PM
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“If we have done our job well, the viewers should never notice the work and instead just be enjoying the storytelling.” Name: Richard Frazer Company: London’s Blue Bolt Can you describe your company? For the last four years, Continue reading → February 28, 2020 The post Behind the Title: Blue Bolt VFX supervisor Richard Frazer appeared first on postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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