It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 8, 2022, 03:26 PM
http://cult.jp/fred/146501.html
Recompense cinephiles who advance self-referential scares, these 10 movies jeer at costly spirits at the audience — and themselves. The “Wail” franchise returned to theaters this weekend with an increasingly self-referential adding up to what was already a awfully meta malevolence franchise. The fifth “Squeal” moving depict, the cranny dim in the franchise not to be directed in the past Wes Craven, is brim-full with references to itself and other detestation movies, serving as a g...
February 8, 2022, 09:18 AM
https://www.cnn.com/2022/02/08/entertainment/oscar...
A few films that arrived exclusively in theaters during the pandemic received some Oscar nominations love on Tuesday
February 8, 2022, 08:40 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
NEW YORK CITY — Nomad (nomadedit.com) has announced the promotion of Kallie Billadeau to editor, having formerly served as assistant editor. Over the course of nearly three years, Billadeau has worked on an extensive array of projects, including a number of documentaries and campaigns for global brands, such as Jeep, Calvin Klein, Glossier and Aveeno.
February 8, 2022, 08:39 AM
https://postperspective.com/framestores-color-team...
As a result of the partnership between Framestore and Company 3, Framestore colorists Steffan Perry, Simon Bourne, Beau Leon, Clark Griffiths and Dominic Phipps will be joining the Company 3 roster. London-based senior producer Chris Anthony, Continue reading → February 7, 2022 The post Framestore’s Color Team Joins Company 3 Roster appeared first on postPerspective.
February 4, 2022, 09:12 AM
https://deadline.com/2022/02/fox-post-production-s...
February 3, 2022, 08:46 AM
https://cceditors.ca/2022/01/18/the-12th-annual-cc...
2022 CCE Awards Nominees Ceremony Raffle Sponsors Days Hours Minutes CeremonyThe Awards will take place on MAY 26, 2022 at the Delta Hotel in Toronto. The CCE will announce the nominees on APRIL 18, 2022 List of Nominees Best Editing in Animation Nominee Name – NAME OF SHOW Nominee Name – NAME OF SHOW Nominee […] The post 12th Annual CCE Awards appeared first on Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien.
February 3, 2022, 08:46 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — Colorist Lucie Barbier-Dearnley recently moved from Picture Shop New York (www.pictureshop.com) to join the company’s growing London roster of talent. She brings extensive international experience to her role at Picture Shop London, which is part of Streamland Media.
February 3, 2022, 08:44 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
BURLINGTON, MA — Avid (avid.com) has extended the power of its collaborative post production solutions with the introduction of NEXIS|Edge, a new software option that enables post teams to work from any location, delivering secure, remote access to media and metadata. NEXIS|Edge will be previewed at the HPA Tech Retreat in Rancho Mirage, CA, starting on February 21st.
February 3, 2022, 08:43 AM
https://www.provideocoalition.com/crossing-the-180...
In this week’s episode of Crossing the 180, Ron interviews documentary filmmaker Salima Karoma. From her success with her first feature documentary “Bad Rap,” to her CNN documentary “Dreamland: The Burning of Black Wall Street,” Salima shares how her career as a doc filmmaker has had such great success. If you’re a doc filmmaker, you [...]Read More... from Crossing the 180 with Netflix and CNN Documentary Filmmaker Salima Karoma
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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