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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SGO in the 4K spotlight at a successful Creative W

June 9, 2014, 09:56 AM

http://www.sgo.es/2014/06/sgo-in-the-4k-spotlight-...

Creative Week has now drawn to a successful end. Thursday’s HD and Beyond sessions opened interesting debates about 4K and once again SGO was inRead more...

Arri’s New AMIRA Color Tool

June 5, 2014, 12:46 PM

http://blog.abelcine.com/2014/06/05/arris-new-amir...

One of the most important features of the new Arri AMIRA is its ability to load 3D LUTs (Look Up Tables), which really allows you to modify the way the camera looks. The ALEXA allows for basic LUTs with ASC CDL adjustments, but the AMIRA goes a step beyond that to allow for full customization of the image.

FxFactory plug-in Hawaiki Color enables colour gra

June 5, 2014, 09:28 AM

http://photo.it-enquirer.com/2014/06/fxfactory-plu...

Final Cut Pro X has a colour grading module, but the interface is non-standard and the capabilities are pretty basic. One FxFactory plug-in that tries to fix this is Hawaiki Color. It’s a plug-in that uses the traditional but familiar interface elements for colour grading: colour wheels and sliders, combined with numeric configuration fields. It extends colour grading inside Final Cut Pro X beyond the basics and is great to work with.

Mistika used in BAFTA-winning “David Attenboroug

June 4, 2014, 02:15 PM

http://www.sgo.es/2014/06/mistika-used-in-bafta-wi...

Sir David Attenborough is the only person to have received a BAFTA in five formats, black and white, colour, HD, 3D and now 4K. SGO’sRead more...

Pablo Rio and Genetic Engineering 2 set

June 3, 2014, 12:32 PM

http://news.creativecow.net/story/875932

(Newbury, United Kingdom--June 3, 2014) Quantel has supplied a Genetic Engineering 2 (GE2) system for Sony's 4K installation at the HBS production facility at the forthcoming FIFA World Cup™ in Brazil. Sony is delivery partner to FIFA (Fédération Internationale de Football Association) and host broadcaster HBS for the 2014 FIFA World Cup™.

Technicolor-PostWorks New York adds colorist Antho

June 2, 2014, 09:35 AM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK — Finishing colorist Anthony Raffaele has joined Technicolor-PostWorks’ (www.technicolorpwny.com) growing roster of film and television talent. Formerly a senior colorist at Deluxe, New York, Raffaele arrives with broad credits in independent film and episodic television.

SGO Sponsors Creative Week at BAFTA

May 30, 2014, 04:38 AM

http://news.creativecow.net/story/875899

(London, United Kingdom--May 29, 2014) SGO is proud to sponsor Creative Week which takes place at BAFTA from 2 - 6 June, drawing the television, film and advertising worlds together. Creative Week is the perfect environment for visitors to meet SGO and discover even more about Mistika's remarkable 4K capabilities and Mamba FX's node-based compositing, within the context of an experts forum.

ImpuLZ and the 1900 LUTs Coming from Visioncolor:

May 30, 2014, 04:38 AM

http://cinescopophilia.com/impulz-and-the-1900-lut...

Visioncolor is bringing out ImpulZ - Analog Color Science for digital Cinema. Oh it's about 1900 LUT's is all.

The Vanity adds FilmLight grading system

May 28, 2014, 09:55 AM

http://www.postmagazine.com/Press-Center/Daily-New...

TORONTO — The Vanity, which specializes in VFX, has added a FilmLight Baselight Two color grading system and Blackboard 2 control surface. The grading tools allow The Vanity to offer end-to-end boutique finishing services, in addition to its existing Autodesk-based graphics, effects and editing services.

New Color Correction Home Study featuring Resolve

May 22, 2014, 05:21 PM

http://news.creativecow.net/story/875828

(New York City, New York--May 22, 2014) TaoOfColor.com is proud to announce the launch of it's newest color correction Home Study Course, "Remastering 'Mother Died', featuring DaVinci Resolve. It's step-by-step, shot-by-shot color correction instruction, led by a professional colorist.

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