It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 24, 2021, 08:33 AM
https://deadline.com/2021/11/iatse-hollywood-contr...
Leaders of IATSE locals across the country who recommended unanimously that their members ratify the union’s new film and TV contracts had a distinct advantage over opponents of the deal. While voting was underway, they had access to records showing who had voted, and who hadn’t – though not how they voted.
November 24, 2021, 08:31 AM
https://www.cgw.com/Press-Center/News/2021/Netflix...
From the interstellar landscape of Cowboy Bebop and the ravenous vampires of Blood Red Sky to the exploding underground reactor in Stranger Things 3, we want to surprise and delight our members by pushing the boundaries of visual effects. So Netflix is pleased to announce its plans to acquire Scanline VFX, one of the most creative and innovative VFX studios in the world.
November 24, 2021, 08:31 AM
https://www.cartoonbrew.com/business/netflix-to-en...
Netflix continues its run of acquisitions with a plan to buy Scanline VFX, the global effects house behind several of its shows.
November 23, 2021, 08:36 AM
https://variety.com/2021/digital/news/netflix-acqu...
Netflix is snapping up premiere visual-effects house Scanline VFX, announcing a deal to acquire the company that has done work on Netflix originals like “Stranger Things” as well as tentpole movies for Marvel, DC and others.
November 23, 2021, 08:35 AM
https://www.animationmagazine.net/vfx/netflix-leve...
The visual spectacles that have delighted streaming audiences in recent years are getting a boost at Netflix, with the platform/producer/distributor announcing its acquisition of acclaimed visual effects house Scanline VFX. Netflix will invest in Scanline’s pipeline, infrastructure and workforce and continue to support the pioneering work of its virtual production division, Eyeline Studios.
November 23, 2021, 08:35 AM
https://www.awn.com/news/autodesk-acquires-tangent...
Autodesk just announced the acquisition of LoUPE, a cloud-based production pipeline technology for artists and studios created by Tangent Labs. The acquisition furthers the company’s mission to make it easier for artists, producers, and supervisors to work more efficiently and scale with the pace of production using a cloud-based production ecosystem.
November 23, 2021, 08:35 AM
https://www.awn.com/news/netflix-acquires-scanline...
Streaming giant Netflix has just announced its purchase of Scanline VFX, one of the industry’s leading and most respected visual effects studios. Terms were not announced; the deal is scheduled to close in Q1’22.
November 23, 2021, 08:34 AM
https://www.cgwires.com/netflix-acquires-scanline-...
From the interstellar landscape of Cowboy Bebop and the ravenous vampires of Blood Red Sky to the exploding underground reactor in Stranger Things 3, we want to surprise and delight our members by pushing the boundaries of visual effects. So we’re pleased to announce today our plans to acquire Scanline VFX, one of the most creative and innovative VFX studios in the world.*
November 23, 2021, 08:34 AM
https://www.artofvfx.com/netflix-to-acquire-scanli...
From the interstellar landscape of Cowboy Bebop and the ravenous vampires of Blood Red Sky to the exploding underground reactor in Stranger Things 3, we want to surprise and delight our members by pushing the boundaries of visual effects. So we’re pleased to announce today our plans to acquire Scanline VFX, one of the most creative and innovative VFX studios in the world.*
November 23, 2021, 08:34 AM
https://www.slugmag.com/arts/film-arts/film-interv...
Every year at the Sundance Film Festival, Utah becomes a destination spot for filmmakers. For Hannah Long, a Lead Visual Effects Editor for Marvel Studios, Salt Lake is where it all began. “My family moved to Salt Lake when I was one year old,” Long says. “My dad‘s a … a creative writing teacher [and] a poet, so I always grew up around artists.” Long started doing theatre, taking classes and performing at City Rep’s Family Theatre (now the Parker Theatre), but her passion was alway...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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