It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 3, 2013, 05:40 AM
http://news.creativecow.net/story/873448
(Santa Monica, California--November 3, 2013) ArsenalFX Color, a leading TV post house, and a sister company to ArsenalFX, has announced its role in providing extensive post production services, ranging from dailies through delivery, for “Marvel’s Agents of S.H.I.E.L.D.”, the new hit series on ABC. The announcement was made today by ArsenalFX Color Co-Founders Mark Leiss and Larry Field.
October 30, 2013, 10:38 AM
http://www.btlnews.com/crafts/post-production/mode...
Supervising senior colorist Todd Bochner, of L.A.-based postproduction facility Modern VideoFilm is relying on DaVinci Resolve for color correction on FOX’s hit television show Sleepy Hollow. Bochner has developed a highly stylized look for the show, and has to deliver on tight deadlines.
October 25, 2013, 04:38 AM
http://news.creativecow.net/story/873353
China's largest film school invests in Quantel again
October 24, 2013, 09:59 AM
http://www.legitreviews.com/powercolor-announces-r...
POWERCOLOR RELEASES THE HIGHEST END PRODUCT, R9 290X
October 23, 2013, 04:00 AM
http://www.digitalproductionbuzz.com/2013/10/filml...
FilmLight announces the Windows version of Baselight for Avid is now available.
October 22, 2013, 04:44 AM
http://www.awn.com/news/business/colorfront-announ...
Colorfront introduces Colorfront Cloud Services, which combines industry-leading technology with flexible, high-performance, cloud-based computing options.
October 22, 2013, 04:44 AM
http://news.creativecow.net/story/873282
Newly-restored short that originally screened with “The Empire Strikes Back” premiered at the Mill Valley Film Festival.
October 21, 2013, 11:27 AM
http://www.creativeplanetnetwork.com/the_wire/2013...
Newly-restored short that originally screened with “The Empire Strikes Back” premiered at the Mill Valley Film Festival. Berkeley, CA— Colorflow recently applied its color grading expertise to a newly-restored version of ...
October 16, 2013, 10:08 AM
http://www.btlnews.com/crafts/post-production/comp...
Company 3 London recently relied on Blackmagic Design’s DaVinci Resolve to color grade Captain Phillips. The film is based on the harrowing true life story of American shipping captain Richard Phillips, swept up in a hostage ordeal after Somali pirates hijacked his ship. The film was directed by Paul Greengrass, with Barry Akroyd as the cinematographer. Company 3’s senior colorist Rob Pizzey handled color correction.
October 8, 2013, 09:57 AM
http://postperspective.com/2013/10/colorfront-name...
BUDAPEST, HUNGARY — Colorfront (www.colorfront.com), a developer of high-performance, on-set dailies and transcoding systems for motion picture, high-end episodic HDTV and commercials production, has named image-science expert Bill Feightner chief technology officer. Feightner’s appointment at Colorfront coincides with him being awarded the 2013 Technicolor/Herbert T. Kalmus Medal, by the Society of Motion Picture and […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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