It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 25, 2021, 10:21 AM
https://cceditors.ca/2021/09/24/congratulations-20...
2021 Gémeaux Award Winner Congratulations to our CCE member who won a Gémeaux Award. Best Editing: Fiction Justin Lachance, CCE M’entends-tu ? – saison finale « Épisode 10 » The post Congratulations: 2021 Gémeaux Award Winner appeared first on Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien.
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The film and video production industry might be on the verge of a complete shutdown. Let's discuss the ins and outs of why.
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Avid® has congratulated the creative individuals and teams recognized for their outstanding achievements at the 73rd Annual Primetime Creative Arts Emmy® A
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Over the past few days, responses and reactions have come in to the IATSE‘s Monday call to members to vote on October 1 on whether use a Strike Authorization in negotiations with the American Motion Picture and Television Producers (AMPTP). This call, in response to AMPTP refusal to respond to IATSE’s latest proposal, has received mostly positive reactions from all parts of the industry.
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By Karen Moltenbrey Editing commercials might not have all the glitz and glamour of editing a tentpole film, but the work can be just as challenging. An editor has only a small amount of time to tell a story when doing 30- or 60-second spots, so every frame must count. Here, Continue reading → September 21, 2021 The post Editing Spots: Cutters and Utopic appeared first on postPerspective.
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https://postperspective.com/destin-daniel-cretton-...
By Iain Blair Director Destin Daniel Cretton is best known for his work on Just Mercy and The Glass Castle, emotionally powerful low-budget dramas that focused on characters and behavior, not spectacle and visual effects. So it was a big surprise to many when the indie director was tapped by Marvel to helm its VFX-heavy new tentpole Shang-Chi and the Legend of the Ten Rings, Continue reading → September 22, 2021 The post Destin Daniel Cretton Talks VFX and Directing Marvel’s Shang-Chi...
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Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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