It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 13, 2017, 07:41 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — At NAB 2017 FilmLight (www.filmlight.ltd.uk) will demonstrate Version 5.0 of its advanced color tools. Users benefit from the same powerful toolkit, and a consistent and familiar user experience, from the flagship Baselight color grading and finishing system, through Baselight Editions, to Daylight and the new on-set application, Prelight.
March 2, 2017, 05:33 PM
http://postperspective.com/looking-aces-color-work...
By Sarah Priestnall Last year’s Café Society marked a milestone in Woody Allen’s cinematic career — the first of his movies to be acquired digitally, mostly with the Sony F65 camera, and with additional use of the Sony F55. To accompany him in this endeavor, he turned to legendary Italian cinematographer Vittorio Storaro, Continue reading → March 2, 2017 The post Looking at the ACES color workflow on Café Society appeared first on Randi Altman's postPerspective.
February 23, 2017, 03:09 PM
http://www.broadcastbeat.com/colorist-bryan-mcmaha...
Award-winning colorist, whose credits include the Terrence Malick films “Weightless” and “Knight of Cups”, joins expanding division focused on theatrical mastering. BURBANK—February 23, 2017— Veteran Digital Colorist Bryan McMahan has joined Roundabout Entertainment. A frequent collaborator of Terrence Malick, McMahan has colored six films for the director dating back to the 2005 release The New ...
February 15, 2017, 05:28 PM
http://www.studiodaily.com/2017/02/di-colorist-joe...
Science-fiction movies about alien visitations aren't generally thought of as Oscar bait. But director Denis Villeneuve's SF film is a triumphant exploration of inner space, revealing over time the peculiar state of mind of its protagonist, Louise Banks (Amy Adams), … more » The post DI Colorist Joe Gawler on the Thoughtful Sci-Fi Epic Arrival appeared first on Studio Daily.
January 9, 2017, 07:02 PM
http://www.broadcastbeat.com/technicolor-postworks...
NEW YORK—Continuing its long-standing support for independent film, Technicolor PostWorks New York helped to prepare a combined 10 features and documentaries for screening at this year’s Sundance Film Festival. The facility provided services including editorial conforming, color grading, deliverables and sound mixing for films premiering in the U.S. Narrative and Documentary competitions and other programs. ...
November 18, 2016, 10:19 AM
http://nofilmschool.com/2016/11/blackmagic-video-a...
The Blackmagic Video Assist line of monitor/recorders comes in at a healthy discount compared to similar competitors from Atomos and Convergent Design, but has long lacked many of the features that have made those popular choices worth the cost. With the release of firmware 2.3, one major feature that has been desperately needed is finally here: up to six 3D LUTs can be loaded to enable the end user to preview various looks and not be forced into viewing flat log or raw footage.
November 2, 2016, 04:41 AM
http://www.postmagazine.com/Press-Center/Daily-New...
HERNDON, VA — Mixing Light is a training and educational Website featuring courses covering the spectrum of color correction for moving images. The site recently published a free, three-part tutorial on the Academy Color Encoding Specification (ACES), designed so that colorists can understand the specification and how it will impact their workflow.
October 11, 2016, 05:09 PM
http://www.postmagazine.com/Press-Center/Daily-New...
ROME, ITALY — Augustus Color is using the cloud to post Black Butterfly, Paradox Studios’ upcoming psychological thriller. The studio has employed WCPMedia’s (www.wcpmediaservices.com) media management platform to deliver dailies to the film’s editorial team in Spain and screen dailies, in a WCP generated lower bandwidth version, for production partners around the globe.
October 6, 2016, 09:25 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Technicolor LA recently gave Clint Eastwood’s biographical drama Sully the full Baselight HDR color grade treatment to achieve its pristine look for IMAX. Produced by Malpaso Productions, the film tells the true story of pilot Chesley "Sully" Sullenberger, portrayed by Tom Hanks, and applauds him as a hero after he safely landed US Airways Flight 1549 in the Hudson River in New York back in 2009.
October 8, 2015, 07:07 PM
https://news.creativecow.net/story/879874
(Fremont, California--October 8, 2015) Blackmagic Design today announced that the Australian film “The Dressmaker” was graded using DaVinci Resolve Studio by Trish Cahill at Melbourne and Sydney, Australia based post production facility Soundfirm.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.