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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Deluxe partners with GDMX

May 12, 2015, 12:22 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Deluxe Entertainment Services recently entered into a partnership with LA’s GDMX (http://www.gdmx.tv), a Warner Bros. post production unit. As part of the enterprise services agreement, Deluxe will be Warner Bros.’ primary outsource partner for post production services, and will serve as WB’s primary provider of creative, production, localization, and distribution services.

Trouble at the Cinémathèque Québécoise

May 12, 2015, 12:21 PM

http://filmmakermagazine.com/94247-trouble-at-the-...

The Cinémathèque québécoise — the main repository for all film, television and video production in the province of Quebec — is in the midst of controversy over its future direction. Like many cultural-memory institutions, it has been plagued by severe budget shortfalls, and members of both the Cinémathèque ‘s own board as well as the provincial government have suggested a merger with the Bibliotheque et Archives du nationales du Quebec (BAnQ) as a means to keep it solvent. Others, in...

Screen Australia: New Budget Cuts

May 12, 2015, 12:21 PM

http://variety.com/2015/film/asia/screen-australia...

Australia’s Federal government is to cut nearly A$1 million ($750,000) per year from the budget of Screen Australia for the next four years.

Editor Rye Dahlman gets AICE Hall of Fame nod

May 11, 2015, 09:51 AM

http://postperspective.com/editor-rye-dahlman-gets...

Rye Dahlman of Rye Films will be inducted into the AICE Hall of Fame at the upcoming AICE Awards presentation in Los Angeles this week. Dahlman’s company, LA-based Rye Films is a commercial editing and post house that over the years has cut work from top commercial directors such as Jack DeSort, Rob Lieberman, Dan Nichols, Rick Levine, Robert Black and Leslie Dektor, working on high-profile campaigns for brands like Budweiser, Pacific Bell, McDonald’s, Pepsi, John Hancock, Boeing and ot...

Deluxe Appoints Mark Lemmons as CTO

May 8, 2015, 05:02 AM

http://sportsvideo.org/main/blog/2015/05/deluxe-ap...

Deluxe has appointed accomplished technology strategist Mark Lemmons as chief technology officer. A more than 20-year industry veteran in a host of technology leadership roles, Lemmons is charged with leading technology strategy at Deluxe, while optimizing investments in the Media Services and New Media groups of the global post-production company.

Toronto Tax Credits Take a Hit

May 7, 2015, 09:34 AM

http://www.hollywoodreporter.com/news/toronto-tax-...

If Hollywood during recent years spoke about Canada's film tax credits, two words came to mind: predictable and stable. But not anymore.

Deluxe Appoints Tech Strategist Mark Lemmons as CT

May 6, 2015, 09:57 AM

http://www.btlnews.com/crafts/post-production/delu...

Burbank-based Deluxe has appointed technology strategist Mark Lemmons as chief technology officer. A 20-year industry veteran in a host of technology leadership roles, Lemmons is charged with leading technology strategy at Deluxe, while optimizing investments in the Media Services and New Media groups of the global postproduction company.

BAFTA LA Appoints Matthew Wiseman As COO

April 23, 2015, 09:42 AM

http://deadline.com/2015/04/bafta-los-angeles-matt...

Shortly after appointing Chantal Rickards as its first CEO, BAFTA LA has promoted Matthew Wiseman to the post of COO. The London native joined BAFTA LA in 2002 and has held various roles since then, most recently as Director of Operations. During his tenure, Wiseman has helped expand the organization’s screening and events program, launched educational initiatives for emerging talents including the Brits To Watch program, and developed the BAFTA US Student Film Awards and BAFTA Britannia Award...

5th Annual Canadian Cinema Editors Awards – Nomi

April 17, 2015, 06:29 PM

http://www.cceditors.ca/5th-annual-canadian-cinema...

The C.C.E. are pleased to announce the nominees for the 5th Annual Canadian Cinema Awards.   We will be celebrating at the Delta Hotel (75 Lower Simcoe Street) on June 4th, 2015.   Lifestyle/Factual/Reality Rob Chandler – Surviving Evil EP211 Jonathan Dowler, Al Manson, Kyle Martin, Ben O’Neil, Steve Taylor – Amazing Race Ep05 Simon

Adobe Anywhere in the Cloud Proves It’s a Game C

April 15, 2015, 07:18 AM

http://aframe.com/blog/2015/04/adobe-anywhere-in-t...

We are pleased to announce that Aframe was selected as a finalist for the Post Production category at this year’s IABM Game Changer Awards hosted at NAB. Aframe was shortlisted for its development of Adobe Anywhere in the Cloud, which allows broadcasters and content producers to remove the limitations of location-specific editing by combining Aframe’s... Read More

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