It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 20, 2015, 10:31 AM
http://aframe.com/blog/2015/02/aframe-to-unveil-ne...
Aframe Spring 2015 release to include expanded search and discovery features, enhanced multimedia format handling and new approvals workflow for powerful cloud-based asset management Westford, MA and London, February 20, 2015 – At NAB 2015, on booth SL10210 Aframe will launch the next generation of its cloud video collaboration platform. Aframe enables teams to upload, transcode... Read More
February 19, 2015, 10:27 AM
http://www.postmagazine.com/Press-Center/Daily-New...
SANTA MONICA, CA — London editorial house Stitch has opened a new Los Angeles office. Stitch (www.stitchediting.tv) co-founder/editor Andy McGraw has relocated to lead the new LA team, which includes recently-hired editor Leo Scott, executive producer Juliet Batter and rep Millie Munro of Munro & Co.
February 18, 2015, 05:47 PM
http://feedproxy.google.com/~r/industryhappenings/...
Wednesday, February 25, 2015 from 6:45 PM to 10:00 PM (PST) Barnsdall Art Park, Hollywood, CA We welcome VFX Artist Scott Squires who will show us how to do VFX on a Budget. A really small budget. We welcome Jon Chappell from Digital Rebellion who will show off CinePlay. What is CinePlay? CinePlay is a professional Mac media player complete with timecode overlays, markers, masking, safe areas and cloud playback support. Also we welcome Director of Production for the LA Kings Hockey C...
February 18, 2015, 01:35 PM
http://www.cceditors.ca/2015-canadian-film-fest/
Congratulations to the CCE members who have films in the upcoming Canadian Film Fest. To purchase tickets: Click here THE COCKSURE LADS MOVIE – Luke Sargent PRETEND WE’RE KISSING – Jorge Weisz SHE SINGS FOR ME – Cam McLauchlin **not all movies had editors listed, if we have missed you please email info@cceditors.ca
February 18, 2015, 10:30 AM
http://www.storagereview.com/qnap_tsx31_turbo_nas_...
QNAP has announced the TS-x31+ series Turbo NAS for SMBs, which is equipped with a dual-core 1.4 GHz ARM Cortex-A15 CPU, 1GB DDR3 RAM, and native support for SATA 6Gb/s drives. This new set of hardware allows the TS-x31+ series to offer a powerful, yet energy-efficient solution for file storage, sharing and data backup with hardware-accelerated encryption. It also features the easy-to-use cloud-based Notes Station 2.0 and various multimedia applications.
February 17, 2015, 10:45 AM
http://www.broadcastbeat.com/forscene-2015-nab-sho...
Forscene 2015 NAB Show Preview – Booth SL5305 Broadcasting & Cable At the 2015 NAB Show, Forbidden will feature the new Forscene, which was unveiled at IBC2014 and went live in December. Source: www.broadcastingcable.com See on Scoop.it – Broadcast Engineering
February 13, 2015, 12:50 PM
http://www.btlnews.com/news/hula-post-production-p...
Hula Post Production provided editorial systems and support to Selma, the new film from Paramount Pictures, Pathé and Harpo Films and director Ava DuVernay. The movie chronicles the historic civil rights march led by Martin Luther King, Jr. in Alabama in 1965. The film, which stars David Oyelowo as King, is currently nominated for two Academy Awards: best picture and best original song.
February 13, 2015, 05:41 AM
http://www.broadcastbeat.com/2015-nab-show-to-add-...
NAB Show Adds Online Video Conference http://t.co/wZihWXhHdg Source: www.tvnewscheck.com See on Scoop.it – Broadcast Engineering
February 12, 2015, 05:46 AM
http://www.btlnews.com/crafts/post-production/holl...
The Hollywood Post Alliance (HPA) announced that the organization is changing its name to the Hollywood Professional Alliance. The group is currently hosting its 21st annual HPA Technology Retreat in Indian Wells, Calif. Over the course of the past two decades, the post industry has experienced profound technical and creative changes. These advances include camera technologies, visual effects, 3D, editing platforms, content security, creative collaboration technologies, display, content deli...
February 3, 2015, 08:21 PM
http://nofilmschool.com/2015/02/red-giant-magic-bu...
Personally I'm a big Colorista fan, which is a deceptively simple plugin — at first glance it seems like a glorified three-way color corrector (something that's built-in for many NLEs), but it offers much more advanced features like a keyer (to restrict corrections to certain colors), HSL wheels, and secondary corrections.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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