It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 16, 2015, 04:38 PM
http://www.postmagazine.com/Press-Center/Daily-New...
MADRID, SPAIN — SGO (www.sgo.es) has added integration of Boris FX’s popular Graffiti titling and motion graphics plug-in into its Mamba FX (V.2.5) node based compositing platform. The integration is for the Windows release initially, but the company has plans to Mac and Linux support in the future.
August 6, 2015, 04:37 PM
http://www.btlnews.com/crafts/post-production/mpc-...
MPC NY colorist James Tillett completed the grade for director Jon Watts’ thriller Cop Car, which premiered at the 2015 Sundance Film Festival in Park City, Utah and releases in theatres across America this weekend. The 86-minute film, starring Kevin Bacon as a corrupt police officer, follows two 10-year olds who steal a seemingly abandoned car. The post MPC NY Colorist James Tillett Grades Jon Watts’ Thriller Cop Car appeared first on Below the Line.
July 27, 2015, 04:30 PM
http://www.awn.com/news/blackmagic-design-announce...
New features in DaVinci Resolve 12 include a new interface, multi-camera editing feature, enhanced core editing tools, new audio engine, redesigned media management tools, new color grading tools, remote rendering and improved editorial workflows.
June 10, 2015, 04:15 PM
http://postperspective.com/veteran-colorist-todd-b...
Todd Bochner has joined Chainsaw in Hollywood as supervising senior colorist. Bochner has more than 20 years of experience working on over 50 television series, as well as numerous features, commercials and music videos. His first project at Chainsaw will be the HBO series The Leftovers. “The arrival of Todd Bochner is further indication of our commitment to being creative leaders in scripted television,” says Chainsaw co-founder Bill DeRonde. “Todd has been producing great work for m...
April 27, 2015, 04:19 PM
http://postperspective.com/technicolor-postworks-j...
By Randi Altman Just a couple of weeks ago, FX’s The Americans aired its third season finale, and it was a good one. Who would expect anything less? This drama follows a Russian husband and wife who are undercover in the DC area during the Cold War. They look American, sound American and have two kids, who truly are American. The show is shot in New York and gets its color grading from New York-based Technicolor PostWorks via colorist John Crowley, who works directly with the show’...
April 23, 2015, 09:46 AM
http://www.btlnews.com/crafts/post-production/colo...
Chicago-based Filmworkers announced that it has reached an agreement with veteran colorist Craig Leffel to represent him for color correction projects in the Midwest. Leffel will continue to serve as executive producer of Big Spoon Industries, the creative production studio he formed last fall, while handling color correction assignments through Filmworkers.
April 6, 2015, 09:29 AM
http://www.btlnews.com/crafts/post-production/film...
FilmLight will introduce the latest hardware configurations for its Baselight color grading system at NAB next week. Baselight ONE will now run on HP Z840 high-performance workstations. The move increases rendering and decode speed while retaining the desktop configuration.
March 30, 2015, 04:35 PM
http://www.broadcastbeat.com/technicolor-postworks...
Colorist John Crowley collaborates with ASC Award-winning cinematographer Jonathan Freeman. NEW YORK—Post production finishing for the fifth and final season of Boardwalk Empire was completed last fall at Technicolor PostWorks New York. The HBO series, set in Atlantic City during the Prohibition Era, was one of the most acclaimed television dramas of the past decade, […]
March 26, 2015, 09:37 AM
http://www.btlnews.com/crafts/post-production/skyl...
Vancouver-based post house, SKYLAB (formerly Digital Film Central), recently developed an innovative new workflow to integrate creative grading with both editorial and VFX for Neill Blomkamp’s new movie, Chappie. Working with visual effects studio Image Engine, the team created a feature-finishing architecture which took advantage of FilmLight’s BLG file format, Baselight and Academy Color Encoding System (ACES) technology.
March 12, 2015, 09:48 AM
http://www.postmagazine.com/Press-Center/Daily-New...
WASHINGTON, DC — Boutique post house, K Street Post, has purchased a Quantel Pablo Rio 2KO color and finishing system, which replaces its long-serving eQ finishing system. Pablo Rio will sit at the heart of K Street Post's end-to-end post production workflow. The studio works on local and regional commercials for clients that include the Washington Times, as well as on public service announcements for the USO.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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