It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 25, 2014, 12:54 PM
http://www.studiodaily.com/2014/04/the-foundry-rel...
The Foundry released Modo 801, the latest version of the modeling, painting, animation and rendering package it acquired in its 2012 merge with Luxology. The newest Modo introduces node-based texturing, improved dynamics for creating realistic destruction animation, improved scattering tools, … more »
April 23, 2014, 12:40 PM
http://www.btlnews.com/crafts/visual-fx/carbon-vfx...
Carbon VFX announced the addition of Marlo Baird Kinsey as executive producer in Los Angeles. Kinsey’s blend of VFX postproduction and editorial experience position her to lead the production department of the creative studio’s Los Angeles office. Kinsey joins Carbon’s team of artists, graphic designers and producers from her most recent production role at The Mission.
April 23, 2014, 06:59 AM
http://www.cgchannel.com/2014/04/openconcept3d-rel...
Openconcept3d – aka artist Seth Richardson – has released XSR 3.0, an update to his “one-click rendering solution” for modo that turns XSR from a script into a fully integrated plugin.
April 18, 2014, 04:20 PM
http://www.broadcastbeat.com/index.php/visual-effe...
Site to Showcase Exclusive and Best-in-Class Curated Content (Los Angeles, California–April 18, 2014) Today, the Visual Effects Society (VES), the industry’s global professional honorary society, launched its new YouTube Channel, providing unique access to the world of visual effects and the artists who create them. The channel is designed to showcase outstanding examples of visual […]
April 16, 2014, 12:59 PM
http://www.btlnews.com/crafts/visual-fx/method-stu...
Los Angeles-based visual effects house Method Studios recently served as the lead vendor on Summit Entertainment’s Divergent, which has grossed over $175 million at the worldwide box office since its March 21 release.
April 14, 2014, 04:08 PM
http://postperspective.com/1-1-vfx-now-mr-wolf-mov...
Santa Monica — Creative directors Danny Yoon and Duy Nguyen, along with executive producer Mike Pryor, have renamed their boutique visual effects and post production company and moved it into new offices in Santa Monica. Formerly known as 1.1 VFX, the company will now operate as Mr. Wolf and work out of new headquarters located […]The post 1.1 VFX now Mr. Wolf, moves to Santa Monica appeared first on postPerspective - Randi Altman's postPerspective.
April 11, 2014, 09:38 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LAS VEGAS — While Devil & Demon Strategy’s (www.devildemonstrategy.com) parent company Silverdraft parked its rig outside of the South and Central Halls of this year’s NAB, and featured “the Devil’s Playground,” its array of supercomputing technology designed to support rendering for feature film (it was actively working on two projects while at the show), president Ted Schilowitz shared his own company’s mission with NAB attendees.
April 8, 2014, 11:31 AM
http://www.broadcastbeat.com/index.php/visual-effe...
See on Scoop.it – Broadcast Beat Magazine, Daily EditionVisual Effects Post-Production Leader Glassworks Deploys Mellanox & Pixit …See on www.businesswire.com
March 31, 2014, 01:35 PM
http://lesterbanks.com/2014/03/gpu-magic-bullet-lo...
Red Giant announces new versions for Magic Bullet Looks, their tool for creating looks and color correction for media in host applications such as After Effects, Premiere Pro, Final Cut Pro, Apple Motion, Vegas Pro, and Avid Media Composer.
March 29, 2014, 12:36 PM
http://blogs.adobe.com/aftereffects/2014/03/script...
This article describes the changes to the After Effects scripting interface implemented in After Effects CC (12.0). You can use this article together with the most recent full version of the After Effects scripting guide (for After Effects CS6), which you can find on the After Effects Developer Center page. There were no significant changes in the scripting interface for After Effects CC (12.1) or After Effects CC (12.2). ScriptUI Drover adpapter ScriptUI is now based on the same contr...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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