It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 22, 2013, 05:36 AM
http://feedproxy.google.com/~r/ItsAliveInTheLab/~3...
The Autodesk Labs site is down. Our vendors, Noble Studios and Cognizant, have been notified. (...)
November 20, 2013, 11:59 AM
http://www.tgdaily.com/augmented-reality/81936-the...
This real-time 3D Internet experience lets people see through the eyes of several animals including rats, bees, cats, dogs and hawks, as they wonder the streets of Paris.
November 20, 2013, 05:37 AM
http://news.creativecow.net/story/873637
(Moscow, Russia--November 19, 2013) The summer blockbuster “Now You See Me”, which has grossed more than $350 million USD worldwide since Summit Entertainment, a LIONSGATE (NYSE: LGF) company, released the film in the US, features several complex visual effects sequences created by Montreal-based studio Rodeo VFX. But none proved more challenging than a key scene set at the MGM Grand in Las Vegas – aided immeasurably by iPi Soft’s markerless motion capture solution iPi Motion Capture.
November 19, 2013, 08:04 PM
http://www.postmagazine.com/Press-Center/Daily-New...
HOLLYWOOD — Visual effects and design group Muse VFX has opened its doors in the heart of Hollywood, providing services for television, feature films, commercials, special venues and online content. Muse is led by founder/creative director/senior VFX supervisor, John Gross, who was formerly senior executive of Eden FX at Point.360.
November 19, 2013, 08:03 PM
http://news.creativecow.net/story/873574
(Dallas, Texas--November 15, 2013) Reel FX today announces the launch of its new digital/interactive division with the release of its first app, “Baby Turkey Trouble”. The app coincides with the release of “Free Birds”, the studio’s first animated film. In this hilarious, adventurous buddy comedy for audiences of all ages, two turkeys from opposite sides of the tracks must put aside their differences and team up to travel back in time to change the course of history – and get turkey ...
November 12, 2013, 10:54 AM
http://www.3dvf.com/actualite-8095--strategie-d-en...
Strategy Ender collapses in the USA: the film that has earned $ 10.3 million this weekend, a drop of 62% compared to the previous weekend. According to Box Office Mojo , the film earned only $ 44 million in the U.S. since its release, including 53 abroad. Although small compared to an estimated budget of $ 110 million, not counting the cost of promotion.
November 6, 2013, 11:11 AM
http://www.creativebloq.com/cinema-4d/r15-evolutio...
R15, the latest update to Maxon’s 3D suite is speedy and solid, but you can’t please everyone all the time, argues CG expert Steve Jarratt.
November 5, 2013, 08:21 PM
http://lesterbanks.com/2013/11/modo-creating-an-as...
Wes McDermott talks about creating 3D content with budgetary constraints, taken from his presentation at Unity’s 2013 Unite conference. Wes demonstrates his pipeline for creating 3D assets using the Foundry’s Modo, Allegorithmic Substance and Unity.
November 4, 2013, 12:24 PM
http://ryansalazar.net/index.php/2013/11/vizrt-ltd...
Bergen, Norway, November 04, 2013, Vizrt Ltd. (Oslo Main List: VIZ).Vizrt Ltd.See on news.cision.com
November 3, 2013, 05:40 AM
http://news.creativecow.net/story/873455
(Venice, California--November 3, 2013) Digital Domain 3.0 has promoted Academy Award®-winning VFX SupervisorEric Barba to Chief Creative Officer/Senior Visual Effects Supervisor. In his expanded role, Barba, a 17-year Digital Domain veteran, will help to drive the development of creative-side relationships for the company, guide creative practices and oversee the development of branded materials for the company’s marketing efforts. He will continue to work on individual feature films as a VFX...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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