It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 15, 2020, 01:06 PM
https://www.screeneditors.com.au/ase-ellie-awards-...
https://www.screeneditors.com.au/awards/
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https://www.screeneditors.com.au/supporting-austra...
DEADLINE FOR RESPONSES EXTENDED to July 3rd: The government is currently calling for submissions to their Supporting Australian Stories on Our Screens - Options Paper, which outlines four different models to reform media regulation in Australia. The outcome will have a direct impact on screen production funding and the amount of Australian content on all our […]
June 15, 2020, 01:06 PM
https://postperspective.com/vfx-studio-cinesite-ad...
Visual effects and animation studio Cinesite has added three to its management team: Melissa Taylor joins as general manager in London, Siobhan Bentley is head of production VFX in London, and Tamara Boutcher is the company’s new global head of production for feature animation in Montreal. “Melissa, Siobhan and Tamara are proven talented executives with deep knowledge of the visual effects and feature animation industries,” reports Cinesite CEO Anthony Hunt. Continue reading → June...
June 15, 2020, 01:05 PM
https://www.provideocoalition.com/new-2d-mocap-sys...
New 2D mocap system from Reallusion elevates 2D animationThe first complete 2D animation system for live performance and motion capture is now a reality, thanks to Reallusion: the company announced the release of 2D Motion LIVE for Cartoon Animator.
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https://variety.com/2020/film/global/french-animat...
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https://deadline.com/2020/06/coronavirus-editors-g...
The Editors Guild, IATSE Local 700, has issued its protocols for the safe return to work amid the COVID-19 pandemic, including a “guiding principle” that “employers are prohibited from asking or otherwise requiring any crew to sign liability waivers.”
June 10, 2020, 01:16 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Nominations for the Virgin Media British Academy Television Awards and British Academy TV Craft Awards were recently announced. Winners for the British Academy Television Craft Awards will be revealed on Friday, July 17th, while the winners for the Virgin Media British Academy Television Awards will be presented on Friday, July 31st. The following is a complete list of nominees.
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It was announced today that NAB Show New York, which was to take place on October 21 – 22, 2020 at the Javits Convention Center in New York City will not take place. While it was thought that NAB NYC would be a bigger show after the cancellation of NAB Las Vegas in April that won’t be [...]Read More...
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https://www.awn.com/news/vfx-legion-expanding-pre-...
VFX Legion, the end-to-end production company that pioneered remote production when it launched in 2013 as a studio working exclusively with home-based artists, is building-out its pre-production services; the move comes in response to increased demand for cost-effective high-quality remote visual effects services as feature films and episodic series move forward in the wake of COVID-19.
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https://www.provideocoalition.com/maxon-announces-...
Following the success of Maxon’s NAB digital experience, the company is going to host a series of virtual events to coincide with the now cancelled Siggraph, IBC, NAB Show NY, HOW and Adobe Max shows...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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