It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 19, 2020, 05:41 PM
https://www.aotg.com/davinci-resolve-used-to-edit-nightmare-on-elm-st/
Blackmagic Design announced today that DaVinci Resolve Studio was used to recreate some of the iconic scenes from “Nightmare On Elm Street 3: Dream Warriors” by original cinematographer Roy Wagner ASC. Wagner took on the challenge to re-shoot his work to show how far filmmaking technology has come. He relied on DaVinci Resolve for on-set grading, editing, color correction and finishing to create a look that matched the original feature film, which was shot on 35mm film in 1987.
#blackmagic design#davinci resolve studio#davinci resolve micro panelMarch 18, 2020, 09:12 PM
https://www.aotg.com/inside-the-mix-with-ana-monte-and-daniel-deboy/
NUGEN Audio Q&A with DELTA Soundworks Co-Founders
#broadcast#nugen audio#delta soundworksMarch 10, 2020, 05:07 PM
https://www.aotg.com/red-giant-releases-new-cheap-tricks-episode/
Red Giant has released another Cheap Tricks episode, featuring half-dad, a father who is conjured back to life with only his legs and feet, from Pixar’s “Onward.” In this episode, now out on YouTube, Dan “Hashi” Hashimoto, the Action Movie Dad, shows viewers a range of techniques for erasing characters from static and dynamic shots using 3D plate projection for a live-action remake of half-dad. Viewers will also learn how Maxon Cinema 4D is used to create a more animated version of...
#red giant#red giant universe#cheap tricks#maxon cinema 4dMarch 10, 2020, 01:51 PM
https://www.aotg.com/davinci-resolve-studio-delivers-post-for-spides/
Blackmagic Design today announced that the edit, grade and finishing for sci fi series, Spides, was completed with DaVinci Resolve Studio.
#blackmagic design#davinci resolve studioMarch 9, 2020, 03:48 PM
https://www.aotg.com/the-most-dangerous-animal-of-all-used-blackmagic/
Blackmagic Design today announced that DP Zak Mulligan used its Pocket Cinema Camera 4Ks to help capture FX’s new docuseries “The Most Dangerous Animal of All.” The series also made use of DaVinci Resolve Studio for color grading, which was completed by Partner and Senior Colorist Shane Reed of Los Angeles based post production studio Apache.
#blackmagic design#davinci resolve studio#pocket cinema camera 4kMarch 6, 2020, 03:42 PM
https://www.aotg.com/blackmagic-video-assist-3-1-and-blackmagic-raw-1-7/
Blackmagic Design today announced Blackmagic Video Assist 3.1 and Blackmagic RAW 1.7 which add support for Blackmagic RAW recording from Panasonic EVA1 and Canon C300 MK II cameras on the new Blackmagic Video Assist 12G models. This update lets customers take advantage of Blackmagic RAW workflows and allows dramatically improved quality and creativity in the post production process. Blackmagic Video Assist 3.1 also adds support for metadata entry allowing shots to be logged and tagged on set for
#blackmagic design#blackmagic raw#video assist 12gMarch 6, 2020, 03:39 PM
https://www.aotg.com/blackmagic-design-announces-davinci-resolve-16-2-2/
Blackmagic Design today announced DaVinci Resolve 16.2, a new update to the company’s popular edit, color, visual effects and audio post production software that includes major Fairlight updates for audio post production. This new update also includes many improvements for color correction, editing and more so is recommended for all users.
#blackmagic design#davinci resolve#fairlightMarch 5, 2020, 03:54 PM
https://www.aotg.com/jetwave-wireless-expands-with-nyc-office/
New Regional Facility Provides Buildouts for Shows, Local Rental Inventory and Instant/On-Site Customer Support
#broadcast#live#jetwave wirelessMarch 5, 2020, 03:03 PM
https://www.aotg.com/jvc-pro-introduces-hevc-encoder-for-nab-2020/
Plug-in H.265 Module Increases Streaming Efficiency by 50%
#encoder#nab 2020#jvc professionalMarch 4, 2020, 02:35 PM
https://www.aotg.com/editshare-at-nab-2020/
EditShare leans in with open and secure solutions - cloud-based capabilities and comprehensive APIs power advanced workflows and extensive media ecosystems
#editshare#editshare academy#nab 2020Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.