It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 21, 2020, 02:29 PM
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Jesus Suarez shows how you can use the C4D Redshift Camera Tag to create adjustments. Have you ever wanted to create adjustments to an image when using Redshift in Cinema 4D without triggering a new
January 19, 2020, 04:22 PM
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CG Shortcuts looks at creating an infinite loop animation in C4D using hands. The cloner in Cinema 4D’s Mograph module is a great way to create abstract types of animation. An example of this is a new
January 17, 2020, 02:14 PM
https://lesterbanks.com/2020/01/grass-kit-adds-new...
The new version of Grass Kit for C4D has a lot of speed and feature improvements. Bosko Lazovic’s Grass Kit gets a new update recently. The new version adds support for C4D R20, 21, but also adds
January 17, 2020, 02:14 PM
https://lesterbanks.com/2020/01/practical-examples...
Steven Roselle offers a deep-dive into Maya’s retopo workflows. It wasn’t that long ago that Maya added some new retopo tools that help to automate the process. The two new tools are ReMesh and Retopologize. With his
January 17, 2020, 02:14 PM
https://lesterbanks.com/2020/01/how-to-make-a-tape...
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https://lesterbanks.com/2020/01/an-easy-way-to-und...
FloMotion shows an easy way to learn what all the attributes of the levels adjustments do in After Effects. Rarely is there an effect that is so crucial to many, many workflows. From compositing visual
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https://lesterbanks.com/2020/01/working-with-rest-...
Helge Maus shows how rest positions become essential if you work with noise and animations. If you animate noise on a grid in Sife FX Houdini, you might run into some issues. It’s easy to add animation
January 11, 2020, 07:06 PM
https://lesterbanks.com/2020/01/how-to-create-a-cu...
Jonas Pilz shows how to make a curl noise effect in Cinema 4D with particles and field forces. Curl Noise, while rooted in math, is incredibly artistic. It’s one of those visually distinctive effects that
January 10, 2020, 02:16 PM
https://lesterbanks.com/2020/01/how-to-create-grid...
Evan Abrams shows how you can create animated grids using Shape Layer Repeaters in After Effects. Tere are a lot of ways that you can create and animate grids in After Effects. There is even
January 10, 2020, 02:13 PM
https://lesterbanks.com/2020/01/learn-how-to-creat...
MaxDepth’s new course shows how to create tools to help make curve animation and motion paths in Maya. Find yourself animating characters that fly slither and grow along a spline? Then you should create some
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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