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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Create a Content Browser Loading Script for

July 29, 2019, 10:11 AM

https://lesterbanks.com/2019/07/how-to-create-a-co...

Billy Chitkin shows how you can use Python to create a script that loads objects If you have a Cinema 4D setup that you use frequently, you can load it faster by scripting the content

How to Create Procedural Animated Waves Background

July 29, 2019, 10:10 AM

https://lesterbanks.com/2019/07/how-to-create-proc...

Noble Kreative works with shape layers to create procedurally animated waves. Najib Khayati (Noble Kreative) shows off the flexibility of working with shape layers in After Effects for creating animated backgrounds quickly. Shape layers and

How To Create And Mix Music In Dolby Atmos - Exper

July 29, 2019, 06:02 AM

https://www.pro-tools-expert.com/home-page/2019/7/...

During the Avid Connect Live event at Summer NAMM in Nashville, Avid ran a number of panels and training sessions, some of which were streamed and recorded. In this article we have the video with a panel of specialists looking at mixing music in Dolby Atmos followed by a training video in which Mix Engineer Colin Heldt shows how to mix music in Dolby Atmos.

How to Create a Frosty Effect in Cinema 4D

July 28, 2019, 04:29 AM

https://lesterbanks.com/2019/07/how-to-create-a-fr...

Andre Brites shows how to create a frosty effect in C4D using transparency, reflection, and bump. When it comes to shading, you can get so much more out of materials by using maps to them.

Datasmith, Working With C4D Files Natively in Unre

July 28, 2019, 04:28 AM

https://lesterbanks.com/2019/07/datasmith-working-...

Winbush demonstrates the new Datasmith plugin feature that imports C4D files natively in Unreal Engine. Things change pretty quickly in the 3D world. While some changes are helpful, some are positively groud-breaking. You know the

Optimize Premiere Pro Preferences for HDR Media

July 28, 2019, 04:28 AM

https://www.youtube.com/watch?v=f0ske72b59U

This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan illustrates how to optimize preference settings in...

Create Custom LUTs for Adobe Premiere Pro CC using

July 28, 2019, 04:28 AM

https://www.youtube.com/watch?v=3FuGhbInKp8

This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan illustrates how to create custom LUTs (color Look-...

Sitting Reverb In Mixes

July 27, 2019, 07:03 AM

https://www.pro-tools-expert.com/home-page/2019/07...

Time based effects can sound great “filling in the gaps” between notes but the more you use, the mushier and more distant things sound. You can of course automate them but effects like the AIR Dynamic Delay offer a different way to keep the effect out of the way while letting it come up in level to fill those gaps.

Illustrating Color Space and LUTs for Video

July 27, 2019, 07:02 AM

https://www.youtube.com/watch?v=w-QsGkGnXuw

This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan defines and illustrates color spaces and LUTs; and...

Have Audio Drive Animation Using a CHOP Network

July 26, 2019, 12:19 PM

https://lesterbanks.com/2019/07/have-audio-drive-a...

Zeus VFX shows how you can have audio drive animation with a CHOP network in Houdini. CHOPs in Houdini represents nodes for manipulating time-based channel data like animation curves or audio. CHOPs include things like

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