It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 28, 2019, 04:28 AM
https://www.youtube.com/watch?v=3FuGhbInKp8
This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan illustrates how to create custom LUTs (color Look-...
July 27, 2019, 07:02 AM
https://www.youtube.com/watch?v=w-QsGkGnXuw
This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan defines and illustrates color spaces and LUTs; and...
May 6, 2019, 12:42 PM
https://nofilmschool.com/color-grading-your-short-...
In low-budget filmmaking, there are two major hurdles in attaining the ever-elusive status of “high production value.” Namely, sound and color. If your sound lacks clarity and particularly if your color lacks depth, then your film lacks luster and falls short of that “professional” sheen.
March 8, 2019, 11:48 AM
https://doddlenews.com/davinci-resolve-tutorial-pa...
In our previous lesson of our look at learning BlackMagic Design’s DaVinci Resolve, we talked about working with 3rd party LUT’s. In this lesson, I want to I want to talk our earlier discussion on Keyframing a little farther, and discuss Keyframes in the Color Module.
December 20, 2018, 02:01 PM
https://doddlenews.com/davinci-resolve-tutorial-pa...
In our previous lesson of our look at learning BlackMagic Design’s DaVinci Resolve, we discussed color correcting the Lift, Gamma and Gain luminance levels by working with the Primaries Bars inside of the Color Module of DaVinci Resolve. Well, this lesson is all about Color, and we’re going to use the Color Wheels to correct the color of the Lift, Gamma and Gain of a shot that needs color correcting.
November 11, 2018, 08:33 AM
https://www.youtube.com/watch?v=mDAAeTsb7DU
Jason Bowdach showed an overview of Cinema Grade. Cinema Grade is a modern NEW color grading plugin built from the ground up. It runs along side Premiere Pro, DaVinci Resolve & FCPX and allows users for the first time to reach in and touch their images and grade them directly in your viewer. Hosted by Michael Horton.
October 30, 2018, 08:56 AM
https://www.aotg.com/premiere-pro-new-new-selective-color-curv/
This session looks at key new features in Adobe Premiere Pro, Audition and Media Encoder in Adobe’s updates for Spring, 2019. Join host, Larry Jordan, as he illustrates key new features in each of these three applications.
October 19, 2018, 05:37 AM
https://www.premiumbeat.com/blog/davinci-resolve-1...
DaVinci Resolve is quickly becoming the hottest NLE on the market, which isn’t surprising since you can download a copy for free with access to 90 percent of its features. However, while most free versions of programs like this offer a simplified form of the premium version, DaVinci Resolve does not. As a result, loading up the software for the first time can be very daunting.
August 4, 2018, 04:20 PM
http://lappg.com/deadpool-2-graded-in-davinci-reso...
Blackmagic Design announced that Deadpool 2, the highly anticipated sequel in the 20th Century Fox/Marvel franchise, was colored by EFILM Senior Colorist Skip Kimball using DaVinci Resolve software. The irreverent series, starring Ryan Reynolds as a wisecracking reluctant superhero, is unique not only because of its main character, but also for the style of imagery used to […] The post DEADPOOL 2 GRADED IN DAVINCI RESOLVE STUDIO BY EFILM’s SKIP KIMBALL appeared first on lappg.
July 30, 2018, 12:32 PM
https://www.aotg.com/match-color-and-balance-color-tools-in-fcpx/
Color correction and color grading are the final steps in making our images look their best. In this session, Larry Jordan takes a closer look at the improved color tools in Final Cut Pro 10.4 and illustrates how to use them to enhance your images.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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