It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 13, 2018, 06:18 AM
https://www.pro-tools-expert.com/home-page/2018/2/...
Grouping instruments in Pro Tools brings along a great deal of control and functional commonality. But when recording, sometimes all you need is to recall a selection of tracks without grouping faders, mutes, and other functions. In this free video tutorial, we will show you how to quickly jump between groups of unrelated tracks and put them into Record Ready, Solo, Input, or Mute when tracking and overdubbing.
January 9, 2018, 02:39 PM
https://www.aotg.com/scopes-in-final-cut-pro-x-10-4/
Join host, Larry Jordan, as he explores some of the major features, including: 360° VR, HDR & Color Profiles, HDR Libraries and Projects LUTs, The new Balance Color tool, An Overview of the Color Inspector & Color Tools, HEVC compression, And audience questions...
July 9, 2017, 10:40 AM
http://lesterbanks.com/2017/07/understanding-link-...
We all have our favorite 3D applications. Each works and looks different from the next. There are some things that are similar though. Many of them will have similar methods to navigate the viewport, while The Post Understanding the Link Between Color and Direction in 3D originally appeared and published on %%BLOGLINK%,by lesterbanks
April 28, 2017, 11:31 AM
http://lesterbanks.com/2017/04/hook-v-ray-mashs-co...
Maya’s MASH has a Color node that can customize the display of a MASH network’s Color Per Vertex information in the viewport. Being that the color node uses CVP data, it might not be obvious The Post How To Hook Up V-Ray to MASH’s Color Node originally appeared and published on %%BLOGLINK%,by lesterbanks
March 10, 2017, 06:53 PM
http://cinescopophilia.com/clean-colour-blocking-t...
Justin Odisho explains with a small tutorial how to do a clean colour blocking transition effect using the Adobe Premiere Pro CC 2017 software.
March 8, 2017, 05:12 AM
http://www.studiodaily.com/2017/03/tutorials-tuesd...
Welcome back to Tutorials Tuesday. Our round-up this time around includes info on how NewTek wants you to connect your video hardware to your IP network, tricks for using the paint-through tool in The Foundry's Mari, three ways to display clone … more » The post Tutorials Tuesday: Grade VR Footage in Adobe Premiere Pro and Get Video Gear on the IP Network appeared first on Studio Daily.
February 17, 2017, 10:48 AM
https://www.aotg.com/easy-instagram-color-grade-hipster-color/
Here are some tips on getting a hipster or Instagram filter look on your next project!
January 22, 2017, 07:29 PM
http://julien.chichignoud.com/blog/quick-tip-simpl...
Premiere has a Video Limiter filter, which does a good job of bringing some of the crazy values back in range if you set it up correctly, but it never seems to be doing a perfect job of clipping the values that can’t be displayed anyway. Here is a quick and easy way to get rid of those stray values.
#adobe premiere#broadcast safeJanuary 18, 2017, 06:19 AM
https://www.aotg.com/resolve-in-under-5-min-high-visibility-window-ou/
In this episode of DaVinci Resolve in Under 5 Minutes, Alexis Van Hurkman shows you how to enable high visibility outlines for your power windows.
November 22, 2016, 10:24 AM
https://www.aotg.com/advanced-color-correction-workflow-resolve-12-5/
Seasoned colorist and fellow filmmaker Alex Jordan of Learn Color Grading and FilmSimplified has produced dozens of insightful color grading tutorials, along with a slew of dedicated courses and numerous free resources on the topic over time. Nevertheless, he still has some handy tricks up his sleeve.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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