It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 9, 2018, 09:47 AM
http://lesterbanks.com/2018/03/zbrush-normal-pass0...
Danny Mac Shows How You Can Change Lighting On Zbrush Renders Using the Object Space Normal Pass Danny Mac showed off his technique for getting renders out of Zbrush and into Adobe Photoshop, which primarily
March 8, 2018, 10:31 AM
http://lesterbanks.com/2018/03/create-custom-redsh...
Mix Training Offers Some Insights Into Creating and Rendering Custom Redshift AOVs If you are using Redshift version 2.5.51, you can create AOV outputs. With Houdini, there are a couple of ways that you can
March 6, 2018, 10:37 AM
http://lesterbanks.com/2018/03/create-displacement...
Life Effects’ David Kahl Shows a Quick Way to Setup Displacement Using Random Objects in Side FX Houdini David Kahl shares a quick technique for creating displacements with any random objects and using VEX. The
March 5, 2018, 08:59 AM
https://www.pro-tools-expert.com/home-page/2018/3/...
In this free tutorial, we will have a closer look at the so-called Edit Selection in Pro Tools. Remember, before you can use an edit command to edit Clips in the Tracks Area, you have to make a selection to tell Pro Tools what Clip(s) are the target of a specific edit command. Also, you have to be aware that there are two variations, Time/Lane-based Selections and Object-based Selections. So which one do you choose?
March 4, 2018, 07:35 AM
http://lesterbanks.com/2018/03/quickly-place-label...
Maxon’s Jonas Pilz Shows How to Place Labels on Anything Without Having to Ever Unwrap UVs When you work in 3D, eventually you will need to place labels on something. Even though there are many
March 3, 2018, 02:02 PM
http://lesterbanks.com/2018/03/creating-modular-te...
Speed Up Your Type Workflow by Making Modular Text Systems for Your Projects in After Effects Workbench’s Joe Clay has a look at creating modular text systems in After Effects, building upon his Liquid Write-On
March 2, 2018, 01:45 PM
http://lesterbanks.com/2018/03/initial-state-houdi...
Alejandro Pérez Sánchez Shows How to Create an Initial State for a Water Simulation in Houdini 16.5 Working with particles and fluids is fun, and initially can seem like they are difficult to control. That
March 1, 2018, 01:14 PM
http://lesterbanks.com/2018/03/9-lighting-tips-imp...
Eli Prenten Shares 9 Lighting Tips for Cinema 4D That Will Have You Rendering Faster and Looking Better Looking Interaction Designer & Teacher Eli Prenten (Twistereli) has a short video that shares some lighting tips
March 1, 2018, 10:39 AM
http://lesterbanks.com/2018/03/preview-effect-matt...
A new Effect Matte Plugin for After Effects Aims to Simplify Layer Transition Mattes With a Cleaner Timeline One of the drawbacks with a layer-based compositor and workspace is that mattes can get out of
February 28, 2018, 01:41 PM
http://lesterbanks.com/2018/02/create-c4d-clay-ren...
Uwe Schweer-Lambers Shows How to Make a Useful Clay Render Using Ambient Occlusion and Fresnel Dubbed the “clay render,” a dull grey render not only looks great, but it can be a valuable tool for
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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