It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 25, 2020, 03:32 PM
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Oliver Randorff shows how to make all the details for a firework rocket animation, including smoke, fire, and an explosion. Vector and shape animation in Adobe After Effects allows you to create a wide range
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MotionDesk’s latest is a tool that lets you have multiple matte layers on one Ae layer. A new tool for Adobe After Effects allows users to work with multiple mattes in Ae, all on a
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https://lesterbanks.com/2020/04/how-to-rig-a-chara...
Matthew Fryer shows how to rig a character using simple layer parenting inside of Adobe Animate. Character animation tools range from DUIK in After Effects, to Spine, Moho, and let’s not forget Adobe Animate (Formerly Flash). Animate
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Pavel Barnev has a new tool that lets you set joint orientation with a click. There are many banes for a rigging artist within Maya. One common pain is joint orientation. While the process for
February 21, 2020, 01:42 PM
https://lesterbanks.com/2020/02/dean-wright-helps-...
Dean Wright’s Day Rate Calculator page helps freelance artists determine the right day rate. What to charge clients is something that torments many artists. There are some handy tools out there to help. These range
February 18, 2020, 02:12 PM
https://lesterbanks.com/2020/02/check-out-this-sne...
Joe Zavaletta Demo’s Working With Animation Paper, an Animation App That’s Coming Soon. A new traditional 2D animation tool that’s slowly rising out of the ashes that was Plastic AnimationPaper is due soon as a pre-release. Animation
February 14, 2020, 05:11 PM
https://lesterbanks.com/2020/02/how-to-add-cloth-d...
Lech Sokołowski shows off how to quickly get wrinkles and other cloth details using Blender’s Cloth Brush. By now, you’ve likely seen those teasers showing off Blender’s amazing cloth brush. The brush uses a simple
January 31, 2020, 04:00 PM
https://lesterbanks.com/2020/01/realistic-hair-bro...
Watch 3D Sculptor, CG Artist Hadi Karimi create Realistic Hair, Brows, and Lashes With Maya xGen for his amazing Dua Lipa portrait. We’ve all seen these incredibly realistic 3D portraits that are sometimes indistinguishable from
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