It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 4, 2020, 01:38 PM
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https://lesterbanks.com/2020/12/learn-the-theory-a...
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https://lesterbanks.com/2020/11/how-to-simulate-no...
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https://lesterbanks.com/2020/11/moglyphfx-3-adds-a...
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https://lesterbanks.com/2020/11/check-out-resolves...
Resolve 17’s Magic Mask is an Ai-powered Rotobrush-like tool that’s blazing fast. After Effects has had the Rotobrush tool for a long while now, and recently we’ve had an update to Rotobrush that sees speed
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https://lesterbanks.com/2020/11/the-best-free-way-...
James Whiffin shows the advantages and drawbacks of techniques that create long shadows in After Effects. Over the years, tons of tutorials, presets, scripts, and plugins will allow you to create a long shadow effect in After
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https://lesterbanks.com/2020/11/easily-create-a-dy...
Stephen Mann shows how to make dynamic rope effects in Maya using nDynamics. While there are specific tools that can help when making things like cables, ropes, and connections in Maya, you can easily create your own
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Lee Griggs shows how you can use Arnold Color Jitter more precisely. Arguably one of the most-used Arnold nodes is Color Jitter. It’s an easy way to get random color variation parametrically. In a new quick
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