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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Why Separate Dimensions Messes With Your Keyframes

December 8, 2020, 01:38 PM

https://lesterbanks.com/2020/12/why-separate-dimen...

Mamoworld shows how separate dimensions work in After Effects and why. Maybe you’ve added keyframes in After Effects and then hit Separate Dimensions, only to find that things have changed with your animation. The keyframes so

How to Use and Edit OSL Shaders Live With Arnold

December 8, 2020, 01:37 PM

https://lesterbanks.com/2020/12/how-to-use-and-edi...

Declan Russell shows how to use and edit OSL shaders live in Arnold for Maya. Arnold Renderer offers people the ability to write or use OSL shaders. Working with OSL in Maya is as simple

AE Classic Course: Warp Stabilizer VFX

December 7, 2020, 09:33 PM

https://www.provideocoalition.com/after-effects-cl...

Back in August, we covered the Warp Stabilizer plug-in in After Effects (which is also now included in Premiere Pro). This tool automatically scans footage looking for edges and “planes” such as the walls of buildings or other features, and re-renders the footage with a smoother camera move imposed upon it.

How to Constrain Many Objects Using Python in Maya

December 7, 2020, 02:18 PM

https://lesterbanks.com/2020/12/how-to-constrain-m...

Decogged shows how you can use Python to constrain lots of objects to one. In the latest addition to Decogged’s “Let’s Payathon” series, Billy Dao shows another production example where Python scripting can help. The example shows how

Using Cavalry’s Material Sampler to Create a Pho

December 7, 2020, 02:18 PM

https://lesterbanks.com/2020/12/using-cavalrys-mat...

Daniel Calderón shows how you can create a Photomosaic Using Cavalry. Creating halftone effects for images builds a nice aesthetic, but it also lays the foundation to make a photomosaic – a picture made up of smaller

Compare: Hold Frames vs. Freeze Frames in Apple Fi

December 7, 2020, 02:17 PM

https://www.youtube.com/watch?v=ORhGW2s8zic

https://larryjordan.com "Compare: Hold Frames vs. Freeze Frames in Apple Final Cut Pro X" is an excerpt from a recent PowerUp webinar presented by Larry Jordan. Effects are the fun part of video editing because there are so many different options. In this video tutorial, Larry Jordan illustrates the differences between a hold frame and a freeze frame - and how to create both. View the entire webinar here: https://larryjordan.com/store/300-effects-overview-in-apple-final-cut-pro-x/...

How to Create a Good-Looking Chroma-key in Final C

December 7, 2020, 02:17 PM

https://www.youtube.com/watch?v=X-JdZ19CDIs

https://larryjordan.com "How to Create a Good-Looking Chroma-key in Final Cut Pro X" is an excerpt from a recent PowerUp webinar presented by Larry Jordan. Effects are the fun part of video editing because there are so many different options. In this video tutorial, Larry Jordan shows how to create a clean chroma-key using both good and bad footage... and a carefully placed mask in Apple Final Cut Pro X. View the entire webinar here: https://larryjordan.com/store/300-effects-overvi...

The Order of Effects Makes a Difference in Final C

December 6, 2020, 09:40 PM

https://www.youtube.com/watch?v=VNrOjvtlW4Y

https://larryjordan.com "The Order of Effects Makes a Difference in Final Cut Pro X" is an excerpt from a recent PowerUp webinar presented by Larry Jordan. Effects are the fun part of video editing because there are so many different options. In this video tutorial, Larry Jordan shows why the order in which you place effects on a clip makes a difference in the results in Apple Final Cut Pro X. View the entire webinar here: https://larryjordan.com/store/300-effects-overview-in-apple...

How to Animate an Object Using Keyframes in Final

December 6, 2020, 09:40 PM

https://www.youtube.com/watch?v=BZGLGW6QPjA

https://larryjordan.com "How to Animate an Object Using Keyframes in Final Cut Pro X" is an excerpt from a recent PowerUp webinar presented by Larry Jordan. Effects are the fun part of video editing because there are so many different options. In this video tutorial, Larry Jordan shows why the order in which you place effects on a clip makes a difference in the results in Apple Final Cut Pro X. View the entire webinar here: https://larryjordan.com/store/300-effects-overview-in-appl...

How to Snap UVs to Pixels in C4D

December 5, 2020, 06:20 PM

https://lesterbanks.com/2020/12/how-to-snap-uvs-to...

Jonas Pilz shows how you can get pixel-perfect accuracy in C4D when Aligning UVs. A new Maxon quick tip tutorial shows how easy it is in C4D R23 to get pixel accurate with placing UVs against an

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