To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe Stock’s Best of 2015

December 28, 2015, 11:14 AM

http://blogs.adobe.com/creativecloud/adobe-stocks-...

Launched in June 2015 Adobe Stock’s not even been active a full year and yet it’s packed a fair share into its short, but oh so sweet life to date. To mark the end of a fantastic year and to step into 2016, we’ve put together some of our favorite images — by no means an easy task when we have over 45 million to choose from (now including videos). Do you have a favorite image from Adobe Stock? Let us know by sharing on Facebook or Twitter. All images below were selected because o...

New Features in Adobe Media Encoder 2015

December 28, 2015, 11:14 AM

http://www.youtube.com/watch?v=Ey20Jmk0O78

Earlier this month, Adobe released the Nov. 2015 updates for all their audio and video applications. In our “New Features in Adobe Media Software” webinar, Larry Jordan highlights many of the new features in Adobe Premiere Pro CC, Adobe Audition CC, Adobe Media Encoder CC, and a short side-trip to After Effects CC.

*KOAN*, por Karina Kracoff (SAE)

December 27, 2015, 08:52 PM

http://saeditores.org/Novedades/KOAN-por-Karina-Kr...

Una síntesis personal de la edición por sus artífices.

Interview: Stephen Mirrione Edits The Revenant

December 27, 2015, 09:13 AM

http://www.awardsdaily.com/2015/12/23/interview-st...

Innaritu’s Birdman immersed us into a visceral world, resting on a single shot take. Editor Stephen Mirrione was a key part in helping to pull off that magic trick. It’s hard when talking to him, not to reference his work on that film. 2015 sees Mirrione collaborate once again with Innaritu and Lubekski to work his magic on The Revenant.

‘Hateful Eight’ Editor Fred Raskin Interview

December 26, 2015, 03:57 PM

http://deadline.com/2015/12/hateful-eight-fred-ras...

Stepping in as Quentin Tarantino’s editor after the sudden, tragic death of Tarantino’s longtime collaborator, Sally Menke, in 2010, editor Fred Raskin knew that he had big shoes to fill. Menke’s contribution to Tarantino’s oeuvre and tremendous success cannot be underestimated, but Raskin has thus far made a powerful impression, editing Django Unchained, which was nominated for five Academy Awards, and following that up with the phenomenally ambitious, three-hour-eight-minute 70MM extra...

Four critical steps to booking your dream editing

December 26, 2015, 09:18 AM

http://www.thepoweredit.com/four-critical-steps-to...

  Come, editors young and old. Let’s throw up our hands at the sky and yell: “How the heck do I get editing work that I really want?!” “How do I find those magical jobs that pay what I want to earn?!” Or even more elusive, the quiet question: “All my life I’ve wanted to … Continue reading Four critical steps to booking your dream editing gigs →

VARIETY BEST EDITING OSCAR PREDICTIONS - Your opin

December 26, 2015, 09:17 AM

http://www.provideocoalition.com/variety-best-edit...

Variety has posted its predictions for the Oscar nominees. What do YOU think of the PREDICTIONS for Best Editing nominations?

AWAKENING THE FORCE IN THE EDITING ROOM

December 26, 2015, 09:17 AM

https://www.editorsguild.com/FromTheGuild.cfm?From...

Following a screening of Star Wars: The Force Awakens on the evening of December 23 at the Pacific Design Center, picture editors Maryann Brandon, ACE, and Mary Jo Markey, ACE, spoke about their collaboration with director J.J. Abrams, and how he has incredible trust in his editors, giving them the time and space to shape the film in the cutting room. Scott Manz of Access Hollywood was the moderator.

Bill Pankow, ACE Talks About the More he Edited th

December 25, 2015, 06:49 PM

http://www.youtube.com/watch?v=2l4HGBoT5BY

From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive. Bill Pankow, ACE, has enjoyed a long collaboration with renowned director Brian De Palma, beginning as an associate editor on the films "Dressed to Kill" and "Scarface." Pankow graduated to editor on "Body Double" and continued his affiliation with De Palma on such films as "The Untouchables," "Casualties of War," "Carlito...

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