To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Color Correct Mismatched Footage the Right

October 23, 2015, 12:20 PM

https://www.rocketstock.com/blog/how-to-color-corr...

If you’re a working editor or colorist, chances are you’ve faced the challenge of matching straight-out-of-the-camera shots that just don’t look right. Even if the cameras had the same exposure/white balance settings, there will still likely be some obvious differences in contrast, saturation, and color balance between them. This can be a result of different color science, camera settings, or lens choice.

Podcast: Flanders Scientific Update – Part 2

March 24, 2015, 05:42 AM

http://www.taoofcolor.com/2349/podcast-flanders-sc...

In this podcast we dive deep into professional Display calibration and the variety of geeky issues that surround them—from peak luminance values to LED RGB

The Coloristos ColorCast

October 13, 2013, 08:12 AM

http://coloristos.podomatic.com/

In this Episode of the ColorCast, the Coloristos discuss online editing and grading for broadcast TV, including passing QC, managing deadlines, and working efficiently under pressure. They also cover emerging trends in the industry, from online distribution and "all-at-once" delivery, to a new generation of editorial and color tools that are facilitating the rapid adoption of feature film workflows into high-end episodic television.

The Coloristo

October 9, 2013, 04:14 AM

http://thatpostshow.com/thatpostshow/the-coloristo...

On this episode of That Post Show Kanen sits in his basement to talk to Juan Salvo about his new venture, DaVinci Resolve, indie filmmaking, and everything from iOS 7 to Breaking Bad.

1 11 12 13

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.