To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Chris Fenwick Chat on Monday

November 28, 2010, 12:16 PM

http://blogs.creativecow.net/blog/3860/chris-fenwi...

A really savvy editor I know will be hosting an online chat this Monday. He has been making the move from Final Cut Pro to Premiere Pro. Chris has lots of opinions... but they are very well informed. Here are the key details:

Best Film Editing — Volume II

November 27, 2010, 11:47 AM

http://incontention.com/2010/10/28/tech-support-be...

So important but so hard to notice. That’s how I would describe the work of our best film editors – those cutting artists who blend and juxtapose frames together to make films coherent, establish a flow and also set the mood in a manner that suits the screenwriter’s words and the director’s vision.

The Future of Final Cut Pro

November 26, 2010, 11:31 AM

http://provideocoalition.com/index.php/editingpost...

Yeah, it’s a testy subject for many, so of course Philip Hodgetts and I had to take it up in episode 12 of The Terence & Philip Show. This episode starts with discussion about a potential Adobe and Microsoft merger and its implications. Which leads into a discussion about 64 bit QuickTime. The primary discussion revolves around a discussion on what Philip thinks Apple should be doing with Final Cut Pro.

AVID - Pro Video Webinars

November 26, 2010, 11:29 AM

http://www.avid.com/US/resources/media-composer-we...

Shaping compelling and engaging stories in the cutting room is a creative adventure filled with many challenges. From dealing with the dizzying array of media sources and formats to handling truncated deadlines, complex workflows, and last-minute changes, learn how you can work smarter and faster by tuning in to our Pro Video Webinars.

Deliverables For Post, A Nightmare?

November 26, 2010, 10:57 AM

http://provideocoalition.com/index.php/editingpost...

The discussion begins about audio levels and the perception of loudness, in the wake of the recent FCC ruling. This leads to the main discussion of deliverables: aka "pining for PAL vs NTSC"! Formats and deliverable metadata add to the complication that delivering a program has become. The discussion veers into the endless discussion of generalist vs specialist before ending on the value of value.

Deluxe buys Ascent Media

November 25, 2010, 11:01 AM

http://www.fxguide.com/qt/3199

After the markets had closed on the eve of the USA Thanksgiving weekend, the LA Times reports that "Deluxe Entertainment Services Group said Wednesday it has reached an agreement to acquire the bulk of Ascent Media Group, the Santa Monica-based postproduction company, for $68 million".

Interview with Stephen Hens on RED Production Work

November 24, 2010, 06:13 PM

http://www.freshdv.com/2010/11/interview-stephen-h...

Here is a 35-minute interview with Stephen Hens, Creative Director of Santa Monica-based Chophouse Edit, about their RED workflow in Final Cut Studio on a PSA project with actor Pierce Brosnan. Stephen and I discuss in-depth how they approached the project from a pre-production and post-production perspective. It’s a really interesting discussion, and we hope you enjoy it, and perhaps learn something along the way.

Conforming Headaches

November 24, 2010, 06:05 PM

http://splicenow.com/2010/11/24/conforming-headach...

Steve Cohen on the annoying problems with conforming: The dirty little secret of our new file-based workflows is that despite the many advances we’ve seen, conforming is still a pain in the butt. Why? Because no conforming system can fully conform Avid effects. Sure, cuts and dissolves can be handled easily, but more often than not, effects work has to be painstakingly rebuilt by eye. That seems downright crazy to me — in the wonderful, all-digital, file-based workflow of the future ...

What would a 2011 Final Cut Studio look like?

November 23, 2010, 11:29 AM

http://www.philiphodgetts.com/2010/11/what-would-a...

While I might have been skeptical about one "Steve Jobs" email, when there are multiple being published, it’s not so easy to think that Jobs is "off in the future already" and his "next year" is already 2012. But it doesn’t seem like that’s the case. There’s also activity around Cupertino that is more typical leading up to a new release, rather than many months away.

20th Century Fox Chooses EVS-OpenCube for its MXF

November 22, 2010, 03:51 PM

http://www.studiodaily.com/main/news/12747.html

EVS-OpenCube, a world-class provider of turnkey MXF digitization servers and software, announces that it has signed an agreement with Fox studios to supply them with OpenCubeHD units for MXF-file format ingest and production management....

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.