To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

OFFF Mexico 2015 (2015)

November 24, 2015, 06:41 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

Colourfully dubbed "One Fabulous Fucking Filter," Sarofsky’s opening titles for OFFF Mexico 2015 – a recent iteration of the global “post-digital culture” festival – introduce presenters with a volley of logotypes and stylistic treatments, both sophisticated and simple, classic and clichéd.Title sequence devotees will instantly identify loving homages to greats like Binder, Bass, and Lardani, as well as obvious nods to the work of claymation master Art Clokey, the cut-and-paste ...

How to write the ultimate Final Cut Pro X article

November 24, 2015, 06:40 AM

http://www.fcp.co/final-cut-pro/articles/1757-how-...

Over a year ago, an article was written in response to some very bad journalism and blogging about Final Cut Pro X. It never got published, but in the wake of a similar article surfacing last week, we thought we would dig it out. It was written in October 2014 and has been very slightly updated to reflect the new Apple hardware. Enjoy!

FrameFlex and Stabilize

November 23, 2015, 07:50 PM

http://24p.com/wordpress/?p=253

Another FrameFlex related topic popped up on the Avid Community forums regarding the ability to use the extra pixels available when linked to a higher resolution for stabilization.

SNL’s Adam Epstein joins editorial creative hous

November 23, 2015, 02:37 PM

http://postperspective.com/snls-adam-epstein-joins...

Some of the funniest parts of Saturday Night Live are its commercial and film parodies… these are shot by the show’s film unit and edited by Adam Epstein. These include the show’s Justin Beiber Calvin Klein parody ads, starring Kate McKinnon, or its series of Lincoln car “commercials” with Jim Carrey channeling Matthew McConaughey. Check out his reel here. . Epstein is taking his comedy editing talent to creative editorial boutique P.S. 260, where he will be working on really spo...

Six Years of #IFIE!

November 23, 2015, 10:42 AM

http://wordpress.quintessentialstudios.net/?p=877

In the summer of 2008, I felt alone as a filmmaker, living 40 miles outside the mecca that is Hollywood. It was an interesting time. The digital revolution was beginning and I had begun in that direction with the purchase of an HVX200, after learning all about it’s virtues from History and Discovery Channel veteran, [...]

Mariana Quiroga – Ganadora por mejor montaje en

November 23, 2015, 10:42 AM

http://www.edaeditores.org/mariana-quiroga-ganador...

Finalizó el festival Buenos aires rojo sangre. El 21 de Noviembre se anunciaron los ganadores de las competencias oficiales de la decimosexta edición del BARS. EDA auspició el premio al mejor montaje, elegido por el jurado oficial del Festival. El premio consiste en una suscripción de Adobe Creative Cloud por un año. Nos complace anunciar […]

How Men and Women Get Treated Differently in Film

November 23, 2015, 06:06 AM

http://www.indiewire.com/article/want-to-understan...

The comic "Technigal" shows the film industry's different attitudes toward those who present as men versus those who present as women.

Aika Miyake named Editor at Cutters Tokyo

November 23, 2015, 06:05 AM

https://news.creativecow.net/story/880234

(Tokyo, Japan--November 23, 2015) Cutters Tokyo assistant editor Aika Miyake has been promoted to the position of editor, effective immediately. The announcement was made by film editor and Cutters Tokyo managing director Ryan McGuire, along with Timo Otsuki, the studio's executive producer.

The Editing of Mad Max: Fury Road

November 22, 2015, 06:31 AM

http://www.commandeditpodcast.com/blog/the-editing...

Josh and I are the last two people in the world to watch Fury Road. It's been hailed as the "perfect action film" and has effectively hit the refresh button on the Hollywood action blockbuster. Featuring more actual stunts than CGI and a style reminiscent of the 70's road chase, exploitation films, Fury Road is a great example of an action-driven story told very well.

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