To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

First Cuts

October 22, 2008, 06:22 PM

http://www.editorsguild.com/v2/magazine/archives/e...

Back in August, the American Cinema Editors staged the first EditFest at Universal Studios. In this comprehensive event (co-sponsored by the Editors Guild and Avid), more than two dozen of the profession’s current and rising stars fanned out over four separate panels to show clips, share reminiscences, discuss the creative impact and business of editing, and offer career advice to a combined and eager audience of students and working pros. Following are some of the highlights of those panels.

More Poll Submissions

October 20, 2008, 06:19 PM

http://www.artoftheguillotine.com/polls.html

The list continues to grow. We are adding films as soon as we get them. We just received Don't Look Now edited by Graeme Clifford. With it our reader also submitted a review by the infamous Roger Ebert.

Anne V. Coates BBC interview

October 20, 2008, 06:17 PM

http://www.bbc.co.uk/radio4/womanshour/04/2007_07_...

Anne joins Jenni to share her experiences of having worked on nearly 50 films, what it's like to look into the eyes of some of the world greatest actors, how it was to edit one of the cinematic masterpieces of all time - Lawrence of Arabia - and how she raised a dynasty of film industry children.

Editors Retreat Panelists Announced

October 16, 2008, 06:15 PM

http://editorsretreat.com/speakers.htm

The Editors Retreat taking place in early 2009 has announced their two keynote speakers. Tom Rolf, A.C.E. and Dan Lebental A.C.E. will be the key note speakers at the event...

Cutting Room Eps. 003 - Alan Heim

October 16, 2008, 12:23 PM

https://www.aotg.com/cutting-room-eps-003-alan-heim/

Alan Heim has become a force in the film editing world with work on such films as: All That Jazz, Network, American History X, and The Notebook. He is also the producer of The Cutting Edge: The Magic of Movie Editing. Check out his IMDB listing for more information

The Cutting Crew

October 15, 2008, 06:13 PM

http://www.videography.com/article/58554

Nothing speaks like experience, so DV recently caught up with six working editors. Each took time out of their busy schedules to talk about the past, present and future of their favorite non-linear editing tools.

What is the Greatest Edited Film

October 14, 2008, 06:10 PM

http://www.artoftheguillotine.com/polls.html

We are creating a list for the greatest film ever edited. Submit your suggestion in our poll section. After being up mere hours we've already got a few suggestions. Make sure your voice is heard!

Bill Nichols | Documentary Reenactments

October 12, 2008, 06:08 PM

http://www.ryecast.ryerson.ca/dmpstreams/2009Kodak...

Ryerson University has posted a video of Bill Nichols lecture on reenactments. A great insight into film documentary reenactments and useful for editing. When you go to the video it streams via Windows Media 9 and some people have had trouble. If thats the case enter this web address into your media player to check it out. mms://www.windowsmedia.ryerson.ca/dmpstreams/2009Kodak/nichols/stream1.asx

Editor Richard Harris' X Factor

October 11, 2008, 06:07 PM

http://www.moviemaker.com/editing/article/x_files_...

Editing is an integral part of creating suspense in a film—anyone who has seen Alfred Hitchcock’s Psycho (1960) can attest to that. For a film like The X-Files: I Want to Believe (whose creators were so intent on producing a suspenseful aura for its audience that only a very elite group of those involved were given full scripts), having a skilled editor was crucial to its success. It made perfect sense when the moviemakers behind the film called in Richard A. Harris, an editor with plenty...

Adobe Premiere Pro CS4 Review

October 11, 2008, 06:05 PM

http://www.studiodaily.com/studiomonthly/currentis...

Just when we thought Premiere Pro for Mac or Windows was about as packed with features as it could get, Adobe has put even more actually useful niceties into the CS4 version of the venerable editing application. Building on its strengths of smooth interaction with other members of the Adobe club of apps, Premiere Pro included functionality and feature sets that were sorely needed in previous versions. There are also some unexpected surprises within the mix.

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