5 Things You Didn’t Know About Your Creative Clo

May 12, 2016, 09:14 AM

http://blogs.adobe.com/creativecloud/5-things-you-...

From access to an exclusive asset marketplace to a website to help you launch your career, Creative Cloud is designed to help you create your best work and share that work with the world.  If you’re not taking advantage of these five features, you’re not getting the most out of your Creative Cloud subscription: 1. Adobe Portfolio Adobe Portfolio is a tool to help build your own personalized website in minutes, no coding experience required. Choose from layouts designed to highlight yo...

Stitch edits spot for London’s Times, Sunday Tim

May 12, 2016, 09:14 AM

http://postperspective.com/stitch-edits-spot-for-l...

Based in Soho in London, Stitch Editing has finished a project for The Times and The Sunday Times’ first-ever joint brand campaign. Directed by Rattling Stick’s Ivan Bird, the 30-second TV and cinema commercial features a montage of significant headline moments from around the world. Using the technique of isolating one unexpected sound from each scene, Continue reading →May 12, 2016

Synchronizing Libraries in Final Cut Pro X

May 12, 2016, 09:14 AM

http://www.provideocoalition.com/synchronizing-lib...

This week on MacBreak Studio, we have an usual show in which Steve from Ripple Training and I are joined by our Virtual User Group guests Sam Mestman and Mike Matzdorff. Mike figured out something he wanted us all to see, so with the 4 of use crowding around a little network of two laptops The post Synchronizing Libraries in Final Cut Pro X appeared first on ProVideo Coalition.

Adobe Summit EMEA 2016 – Sneaks

May 12, 2016, 06:26 AM

http://blogs.adobe.com/digitaleurope/digital-marke...

Sneaks are always a popular session at Adobe Summit. If you’re not familiar with the Sneaks session, it’s where our data scientists take center stage and give us all a preview of what they’re cooking up in Adobe’s research labs. Although each Sneak demo is only about four minutes long, it represents work that has been months — or maybe even years — in the making.  While we’ve got thousands of engineers at Adobe doing a lot of amazing things, only a select few projects will e...

Tracking The AAF Metadata Avid Pipeline

May 12, 2016, 06:24 AM

https://blogs.creativecow.net/blog/14192/tracking-...

Maybe this is helpful for using the Avid Relink Command and supporting assets that have embedded in the hour timecode field a value of 24 or greater. For those types of Master Clip Ingested Assets, in Avid Media Composer, relinking using start timecode selection does not work, using the same value in Auxiliary TC works.

Avid Restructures to Please Wall Street

May 12, 2016, 06:24 AM

http://bobbyowsinskiblog.com/2016/05/05/avid-restr...

A few months ago Avid proudly put out a press release about how they just hired 250 new employees to staff new facilities in the Philippines, Taiwan and Poland, and how they would save $68 million as a result. Oh, and by the way, that was at the expense of closing down offices and downsizing its staff in the U.S.

Shotgun Announces Call for Entries for 2016 Pipeli

May 12, 2016, 06:24 AM

http://www.awn.com/news/shotgun-announces-call-ent...

Shotgun Software now accepting entries for the third annual Pipeline Awards recognizing excellence in pipeline tool development, integration, engineering and usage; winners to be announced at SIGGRAPH 2016.

Avid NEXIS Frequently Asked Questions

May 11, 2016, 04:02 PM

http://www.videoguys.com/blog/avid-nexis-frequentl...

Q: I recently purchased ISIS | 1000. What is my migration plan to Avid NEXIS?  Can these solutions co-exist? A: Great news!  ISIS | 1000 is now Avid NEXIS | PRO.  It’s the same hardware underneath, but we’ve renamed it to express that it is now part of the next-generation Avid NEXIS family and can Read More The post Avid NEXIS Frequently Asked Questions appeared first on Videoguys Blog.

My advice to new people joining my show

May 11, 2016, 12:55 PM

http://renderplease.com/post/144202788485

Tales of a film editor: the making of Olivier’s

May 11, 2016, 12:54 PM

http://www.bfi.org.uk/news-opinion/news-bfi/featur...

Helga Cranston (1921-2013) arrived in London in 1939, as an 18-year-old German Jewish refugee. By the mid-1940s she was working as an editor and, on the recommendation of her mentor Reginald Beck (who had edited Laurence Olivier’s Henry V), was invited to edit Hamlet (1948).