It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 17, 2009, 05:26 PM
http://www.macvideo.tv/editing/interviews/index.cf...
At the FCPUG Network Supermeet in London, Walter takes to the stage to talk about Tetro, the latest film written and directed by Francis Ford Coppola. In this piece Walter answers questions from the audience about the editing process, various films he has worked on, and reveals many details about working on large scale feature film production.
August 14, 2009, 05:23 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
On July 31, a pair of action cinema legends––The Terminator and editor Mark Goldblatt, A.C.E.––appeared together on the marquee of the American Cinematheque’s Aero Theatre in Santa Monica. The occasion was a double feature screening of The Terminator and Terminator 2, and Goldblatt, who edited both films and won 1991 Oscar and Eddie nominations for T2, came to share his recollections with a house full of rabid fans in a between-films discussion with moderator Lee Cohen, owner of Every....
July 31, 2009, 05:02 PM
http://www.blogtalkradio.com/moviegeeksunited/2009...
Bobbie O'Steen discusses the art of editing and her new book'The Invisible Cut' it also has interviews about the best worst movies.
July 30, 2009, 04:52 PM
http://www.moviemaker.com/editing/article/ny_post_...
The fifth annual NY Post|Production Conference, organized by the digital media training center Future Media Concepts in association with the National Association of Broadcasters, will be held in New York City from October 5-8, 2009. At the conference, leading industry professionals will instruct attendees on the new technology needed by those pursuing careers in the production, post-production, broadcast and new media fields.
July 30, 2009, 12:37 PM
https://www.aotg.com/cutting-room-eps-014-troy-takaki/
This week Gordon interviews Troy Takaki editor of such films as Fool's Gold, Stick it and Hitch.
July 28, 2009, 04:49 PM
http://newdocediting.com/hiring-an-editor/
New Doc Editing has posted this article on Hiring a Documentary Editor. It might give you, as the editor, something to think about when applying for your next doc job.
July 21, 2009, 04:30 PM
http://www.npr.org/templates/story/story.php?story...
Thelma Schoonmaker has edited every one of director Martin Scorsese's movies, from Raging Bull to The Aviator. She talks about how film editing has changed over the past 30 years and how she got her first big break editing Scorsese's student film at NYU.
July 20, 2009, 04:28 PM
http://www.iofilm.co.uk/io/mit/001/anne_coates_kev...
Lawrence of Arabia editor Anne Coates and Sideways editor Kevin Tent share insights into their work.
July 14, 2009, 04:13 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
If there is one priority assistant editors agree on, it’s the need for organization. Today’s assistant editor may have dozens of tasks to perform daily, but only one real job—creating an efficient, smooth running environment that will leave his/her editor free to create.
July 7, 2009, 03:59 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
In June, Cine Gear Expo returned to Paramount Studios, site of the trade show’s first outing 13 years ago. As part of the event––which included hundreds of exhibitors and thousands of attendees lining Paramount’s New York Street, a series of master class and premiere seminars as well as a film series––the American Cinema Editors (ACE) presented "A Cut Above," on Stage 12, a panel discussion with leading editors (Maryann Brandon, A.C.E.; Mark Goldblatt, A.C.E.; Tina Hirsch, A.C.E...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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