To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Magnificant Seven Pt. 2

May 11, 2009, 01:27 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Amid the pre-Oscar festivities, the American Cinema Editors (ACE) held its ninth annual Invisible Art/Visible Artists Seminar with the Academy Award-nominated picture editors at the Egyptian Theatre in Hollywood. Moderated by Alan Heim, A.C.E., the seminar featured insightful conversation about their nominated films and their approach to editing.

Making it in New York

May 2, 2009, 01:20 PM

http://www.postmagazine.com/ME2/dirmod.asp?sid=639...

If you ask someone about trends these days, it’s nearly impossible not to bring up the economy, since that is the root of most trends these days. "The industry is very black and white right now," says Soho Editors CEO David Gater. "You are either winning or you are out... there is no in between. This can be seen all across the industry; there is no room for mediocrity. If you are not at the top of your game there is no place for you. Shows are being cancelled, facilities are closing their...

USC SCHOOL OF CINEMATIC ARTS DEDICATED

April 27, 2009, 01:07 PM

https://www.editorsguild.com/FromTheGuild.cfm?From...

On March 27, at a press and public ceremony presided over in part by George Lucas and Steven Spielberg, the new $175 million University of Southern California School of Cinematic Arts (SCA) officially dedicated the first two structures of what will be the largest institution on the USC campus when the six-building complex is completed in October 2010.

The Edit Foundry

April 8, 2009, 06:58 PM

http://blogs.nppa.org/editfoundry/

The Edit Foundry is a new blog that looks into editing techniques.

Twitter About Editing Experiment

March 25, 2009, 12:36 PM

http://provideocoalition.com/index.php/ssimmons/st...

It was just over a year ago when I posted a post that began the "Twitter about editing" experiment. I had signed up for Twitter around a year before that but really never used the service since I didn’t have a good group to follow nor did I really know what to talk about. That gave me the idea for the "Twitter about editing" experiment.

Time Stands Still for 'Watchmen' Editor

March 19, 2009, 12:30 PM

http://www.videography.com/articlefeatures/80340

When Editor William Hoy, ACE, re-teamed with Director Zack Snyder for Watchmen, the two knew they were embarking on a project with challenges tougher even than those they faced on their previous outing, the epic 300. While that graphic-novel-based feature melded CGI, post-heavy speed changes and virtual camera moves, Watchmen would also have its share of digital set extensions, postproduction "camera effects" and CGI work. And it would have a very bizarre group of superheroes whose behavior...

That Post Show

March 18, 2009, 12:29 PM

http://lifezero.squarespace.com/thatpostshow

We've added That Post Show to our Podcast section. You can go there to link to it or simply follow our link.

One Movie, Two Editors, Three Dimensions

March 9, 2009, 12:21 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

You feel as a viewer that you’re inside the movie," says Joyce Arrastia, describing the new, three-dimensional film Monsters vs. Aliens from DreamWorks Animation and Paramount Pictures, which she and Eric Dapkewicz edited. "Rather than feeling like the characters are popping out of the screen, you feel like you are sitting in their fantasy world."

Four Short Conversations About Editing

March 9, 2009, 12:21 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Future Media Concepts thinks it has an idea. The national training center concentrates on prepping future and current users of digital media—the most popular classes covering, of course, the top NLE applications from Apple and Avid, but there’s more on many of the other products you’d imagine it’s useful to learn: Adobe Photoshop and After Effects, Autodesk 3ds Max and Maya, sound design, website design and development and more.

Point of Entry

March 9, 2009, 12:19 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Michael Pedraza is a man with a plan. While attending film school in Arizona, he decided that he would work with one of his two favorite editors—Michael Kahn, A.C.E., or Dylan Tichenor, A.C.E. Happily, he had an "in" in that his editing teacher’s claim to fame was that he had worked in Kahn’s editing room on Saving Private Ryan.

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