It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 10, 2009, 12:31 PM
https://www.aotg.com/cutting-room-eps-010-darryl-bates/
This week Gordon interviews Darryl Bates editor of Just Shoot Me, Becker, The Comeback and the new 90210. Darryl joined us via phone from Los Angeles.
February 4, 2009, 11:20 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
In part one of our ongoing look at "media online" for editors, we covered a group of sites dedicated to the Avid Media Composer and Final Cut Pro communities. This installment delves into an exploration of how some sites are seeking to help editors put the sometimes chaotic universe of HD in order, as well as exploring the future of the digital media workplace.
February 4, 2009, 11:20 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
As post technologies and applications get ever more complex, editors are seeking out wider sources of social networking—websites, podcasts, blogs, vlogs, microblogs, linklogs, corporate blogs—to gain direct and immediate access to accurate information sharing, whether they are looking to solve an imminent problem or present peer-to-peer solutions. Some of the sites presented here were founded by Guild members. A couple are the work of manufacturers who naturally have the most direct...
February 3, 2009, 11:17 AM
http://www.videography.com/articlefeatures/78664
January 31, 2009, 07:12 AM
http://www.moviemaker.com/editing/article/chris_di...
Since first winning acclaim at the Toronto International Film Festival in September 2008, Danny Boyle’s Slumdog Millionaire has gone on to win the hearts of audiences the world over. It’s the tale of Jamal, a young boy from the slums of Mumbai, who becomes a national phenomenon when he wins India’s version of "Who Wants to Be A Millionaire?" The timeline of the movie, which relates each of Jamal’s game show questions to an instance in his troubled past, is a key to its popularity. The cl...
January 23, 2009, 07:09 AM
http://cceditors.ca/index.php?article_id=20
Beginning with this article the C.C.E. will be posting interviews, essays, and other articles on a regular basis. Please look for more in the near future.
January 21, 2009, 07:00 AM
http://www.moviemaker.com/editing/article/john_lyo...
John Lyons is not the kind of editor to remain satisfied working in solely one genre. After working as an assistant editor on such wildly diverse movies as Wag the Dog, Sphere, The Siege, Keeping the Faith and Gosford Park, he made an impressive transition to editor on Savage Grace, starring Julianne Moore. The latest proof of Lyons’ editing prowess can be seen in Adam Salky’s Dare, which premieres at this year’s Sundance Film Festival. The movie follows three vastly different teenagers...
January 20, 2009, 06:59 AM
http://www.studiodaily.com/filmandvideo/currentiss...
For The Greatest, the new Pierce Brosnan/Susan Sarandon drama in competition at this year's Sundance Film Festival, editor Cara Silverman found a new way of working — based in Los Angeles while the production shot in New York, Silverman let her assistant run the Avid Adrenaline while she cut footage on a laptop loaded with the software version of Avid Media Composer. Being untethered to a heavy desktop system has a freeing effect on creativity, too (especially on low-budget films, which...
January 19, 2009, 06:58 AM
https://www.editorsguild.com/magazine.cfm?ArticleI...
Fifty-seven years after landing on Earth, in an ill-fated mission of peace, the alien Klaatu and his super-robot companion Gort have just made a return visit, touching down upon our planet again on December 12––when the remake of The Day the Earth Stood Still was released worldwide by 20th Century Fox.
January 19, 2009, 06:57 AM
https://www.editorsguild.com/magazine.cfm?ArticleI...
Clint Eastwood has a fondness for editing––and editors. According to the filmmaker, he has worked with only a half-dozen editors in the 38 years he’s been directing motion pictures, starting with Carl Pingitore, who passed away in January 2008. The two met on Don Siegel’s 1971 film The Beguiled, and Pingitore edited Play Misty for Me, Eastwood’s feature directorial debut, that same year. It was the only film they did together.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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