To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Technicolor PostWorks Provides Finishing Services

April 25, 2016, 12:19 PM

http://www.broadcastbeat.com/technicolor-postworks...

NEW YORK—A Girl in the River: The Price of Forgiveness, winner of this year’s Academy Award® for Best Documentary, Short Subject, recently made its world premiere on HBO. Directed by Sharmeen Obaid-Chinoy (who also won an Oscar® in 2012 for Saving Face) and edited by Geof Bartz, A.C.E., the 40-minute film went through editorial conforming, final ...

Larry Jordan's Thoughts On NAB 2016

April 25, 2016, 12:18 PM

http://news.doddleme.com/blogs/post-production/lar...

NAB is always an exciting show – filled with new things to discover, explore or learn. While NAB can mark the start of a new industry revolution, this year’s show felt more evolutionary than revolutionary. Still, there was lots to see and much to think about.

The Top 16 Updates and Announcements from NAB 2016

April 25, 2016, 04:28 AM

http://www.provideocoalition.com/top-16-updates-an...

Let’s establish one thing right from the start: there were way more than 16 things of note that happened at NAB this year, just like there are every year. To quickly illustrate that point, Blackmagic alone had 14 press releases ready for attendees of their press conference, and that was down from what they rolled The post The Top 16 Updates and Announcements from NAB 2016 appeared first on ProVideo Coalition.

Diego Marcone y Andrea Kleinman (SAE-EDA) recibier

April 24, 2016, 01:09 PM

http://saeditores.org/Novedades/Diego-Marcone-y-An...

En el marco de la entrega de premios del 18° BAFICI, Diego Marcone junto a Andrea Kleinman (SAE - EDA) recibieron el Premio al Mejor Montaje de Película de la Competencia Oficial Argentina, por su trabajo en el documental Raídos, dirigido por Diego Marcone. 

8 Tips for Freelance Video Editors

April 22, 2016, 05:04 PM

https://fstoppers.com/business/8-tips-freelance-vi...

Lots of skilled videos editors have started to see the value in being hired for contract work. It’s a great supplement to other income, you can be picky about projects, and most of us enjoy the work. But what about negotiating rates, estimating time, and dealing with files after the job? Here are some tips for the business-side of being a freelance video editor.

NAB 2016: AJA, HDbaseT and IP video

April 22, 2016, 01:28 PM

https://blogs.creativecow.net/blog/14124/nab-2016-...

We were at NAB 2015 and met with Bryce button of AJA. We asked him to explain why AJA is betting on HDbaseT and IP video. In this short video he explains the difference between these 2 ways of transporting HD and 4K video.

Avid Media Composer 101, Part 19: Bins Part 1

April 22, 2016, 01:27 PM

http://news.doddleme.com/blogs/post-production/avi...

Let’s move away from settings, and talk about Bins in Avid Media Composer. Bins are where you will store all your footage, and, to be honest, will make or break your your projects workflow. If you’re unorganized in your bins, all is lost. Let’s talk about creating and setting up your new bins.

NAB 2016 – Editing Essentials for Premiere Pro f

April 22, 2016, 04:58 AM

http://www.provideocoalition.com/nab-2016-editing-...

With the growing popularity of the Adobe Premiere Pro CC panel I wanted to check out the Editing Essentials bundle from mamoworld. This includes BeatEdit (to detect beats in music files), QuickImporter (for a better way to import files) and Still Exporter (to export stills from a timeline). The creator of these tools (Mr. Mamoworld?) The post NAB 2016 – Editing Essentials for Premiere Pro from mamoworld appeared first on ProVideo Coalition.

RedShark NAB Awards - The Results

April 22, 2016, 04:58 AM

http://www.redsharknews.com/production/item/3427-r...

NAB has come and gone in a flash, but before we left, we handed out the RedShark awards RedSharkRedShark AwardsRedShark Awards at NABRedShark NAB Awards

Scale Logic at NAB with new Genesis HyperMDC

April 22, 2016, 04:58 AM

http://postperspective.com/scale-logic-at-nab-with...

At the 2016 NAB Show, Scale Logic Inc. (SLI) demoed its Genesis HyperMDC, a high-performance metadata cluster supporting the HyperFS file system.The HyperMDC addresses enterprise storage needs by simplifying the implementation and administration of HyperFS. The new Genesis HyperMDC features a purpose-built scale-out NAS and SAN metadata controller with additional storage options and/or open architecture platform support.The HyperMDC is designed for media and entertainment workflows in post ...

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