It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 10, 2016, 02:18 PM
http://www.provideocoalition.com/art-cut-batman-v-...
David Brenner has 23 credits as an editor going back to the 1980s with “Talk Radio,” “Born on the Fourth of July” and “The Doors.” His credits also include such notable blockbusters as “Independence Day,” “The Patriot,” “Pirates of the Carribean: On Stranger Tides,” “Man of Steel,” “300: Rise of an Empire” and, most recently, The post Art of the Cut with “Batman v Superman” editor, David Brenner appeared first on ProVideo Coalition.
April 9, 2016, 09:11 AM
http://www.bluecollarpostcollective.com/s/041216-B...
Two years after it began as a casual meetup for the operations staff of New York City’s post houses, the Blue Collar Post Collective (BCPC) has grown to over 2000 members, and made a significant impact on the post production community at large. This year the BCPC is expanding further, introducing new programs and events to better support emerging talent in the film industry.
April 9, 2016, 09:07 AM
http://montrealgazette.com/entertainment/movies/on...
Joe Walker knows how to set a scene. The British-born film editor has worked closely with Steve McQueen (12 Years a Slave, Shame, Hunger) and has become the go-to guy for Quebec director Denis Villeneuve, beginning with his last film Sicario.
April 9, 2016, 09:07 AM
http://www.awn.com/news/nomad-signs-editor-jai-shu...
NEW YORK & LOS ANGELES -- Nomad has announced the hiring of Editor Jai Shukla to its roster of talents and to the company as a Partner. This comes just on the heels of adding new EP/Partner Jennifer Lederman to lead the New York office.
April 9, 2016, 09:06 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Two years after it began as a casual meetup for the operations staff of New York City’s post houses, the Blue Collar Post Collective (BCPC) has grown to over 2,000 members. This year, the BCPC is expanding further by introducing new programs and events to better support emerging talent in the film industry. This growth is enabled by the appointment of an executive committee, various subcommittees and a board.
April 9, 2016, 09:06 AM
http://postperspective.com/art-who-owns-it/?utm_so...
By Kristine Pregot Last month, I had the pleasure of checking out a very compelling panel at SXSW led by Mary Crosse of Derby Content: Creative Thievery = What’s Yours in Mine? It was a packed house, and I heard many people mention that this was their absolute favorite panel at SXSW, Continue reading →April 8, 2016
April 9, 2016, 09:06 AM
https://digitalfilms.wordpress.com/2016/04/08/spri...
It’s often the little things that improve your editing workflow. Here are a few quick items that can expand your editing arsenal. Hawaiki Super Dissolve The classical approach to editing transitions suggests that all you need is a cut and a dissolve. Given how often most editors use a dissolve transition, it’s amazing that few […]
April 8, 2016, 01:04 PM
http://saeditores.org/Novedades/Convocatoria-a-la-...
El Consejo Directivo de la Sociedad Argentina de Editores Audiovisuales Asociación Civil, SAE, convoca a los señores asociados a la Asamblea General Ordinaria que se celebrará el día sábado 23 de abril de 2016 a las 10:00 horas en el local sito en Juncal 2029 de la Ciudad Autónoma de Buenos Aires...
April 8, 2016, 01:03 PM
http://www.finalcutpro.es/2016/04/review-estabiliz...
Aunque lleva tiempo en el mercado no nos hemos podido resistir a someter a prueba a este pequeño gimbal en cuanto ha caído en nuestras manos. Lo hemos hecho además montándole la recién aparecida Sony a6300, que además de por su precio, destaca por un enfoque automático continuo muy eficaz, ideal para montar en este [...] La entrada REVIEW: Estabilizador motorizado Beholder MS1 aparece primero en finalcutpro.es.
April 8, 2016, 01:03 PM
http://renderplease.com/post/142464715505
I’m like:
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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