To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How real life can trump VFX - even in space

December 2, 2015, 06:08 AM

http://www.redsharknews.com/technology/item/3075-h...

As regular RedShark readers will know, space footage is often jaw-droppingly fantastic, but this video is even more so than most because of the way it's composed. Spacespace photographyNASAUP AerospaceYouTube

Shade VFX: Behind the visuals of Jessica Jones

December 2, 2015, 06:07 AM

https://vimeo.com/147522632

This is "Shade VFX: Behind the visuals of "Jessica Jones"" by shade VFX.

ASICS "Metarun" - The Art of VFX

December 1, 2015, 06:49 AM

http://www.artofvfx.com/asics-metarun/?utm_source=...

“Metarun” is a nice and futuristic commercial for ASICS directed by Onur Senturk and the VFX made by PostPanic...

VFX Legion and the New Wave

November 30, 2015, 05:25 PM

https://news.creativecow.net/story/880251

(November 30, 2015) VFX Legion is a post-production facility unlike any other in that, strictly speaking, there is no actual facility. Read on to learn how the world’s first fully remote visual effects vendor operates, and how tools like cineSync ensure a harmonious workflow, no matter the geographical distance.

Episode 50 - IAMag Masterclass Paris 2015

November 30, 2015, 01:24 PM

http://www.allanmckay.com/50/

This is a 1 hour master class from March 2015 in Paris, condensing a lot of information into a rapid fire session!

VFX Breakdown of "The Walk" from Rodeo FX

November 30, 2015, 06:01 AM

http://cinescopophilia.com/vfx-breakdown-of-the-wa...

Rodeo FX is thrilled to present some of the stunning VFX work created for Robert Zemeckis’ The Walk. Our team delivered more than 100 visual effects shots, including CG reconstructions of the towering World Trade Center and other scenes from 1970s New York.

Interviews of the Week #48 - The Art of VFX

November 29, 2015, 08:15 AM

http://www.artofvfx.com/interviews-of-the-week-48/...

Zave Jackson start his career in visual effects in 2000 in the compositing. He joined Cinesite in 2006 and worked on many projects such as JOHN CARTER, SKYFALL, X-MEN: DAYS OF FUTURE PAST or THE MAN FROM U.N.C.L.E.

Apple buys Faceshift, a motion capture company

November 25, 2015, 10:38 AM

http://www.macworld.com/article/3008624/business/a...

Apple has confirmed its acquisition of Faceshift, a Zurich-based motion capture company whose technology is being used in Star Wars: The Force Awakens.

Spectre: VFX Supervisor Interview

November 25, 2015, 10:38 AM

http://www.artofvfx.com/spectre-mark-bakowski-vfx-...

In 2013, Mark Bakowski talked to us about the visual effects of Framestore on IRON MAN 3. He then worked on films like GRAVITY and JUPITER ASCENDING. He then joined ILM London to work on AVENGERS: AGE OF ULTRON. SPECTRE is his third James Bond film.

VFX Summit: Paul Timpson, VFX Artist

November 23, 2015, 02:37 PM

http://filmireland.net/2015/11/23/irish-vfx-animat...

Paul has worked in companies such as MPC, The Jim Henson Company, Framestore and Dreamworks on features such as Harry Potter Order of the Phoenix, Robocop, 47 Ronin, Shrek 4 and Megamind.

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