To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Red Giant Magic Bullet Suite 12: Better performanc

October 30, 2015, 12:36 PM

http://www.videoguys.com/blog/video-editing/red-gi...

Oliver Peters does a nice job going over all the new features, performance and tools inside Red Giant Magic Bullet Suite 12. Magic Bullet Suite is one of our favorite plug-ins. You get color correcting and color grading tools that are super easy to use because of all the presets, but at the same time Read More The post Red Giant Magic Bullet Suite 12: Better performance and new tools appeared first on Videoguys Blog.

Avid ISIS | 1000 for Adobe Premiere Pro

October 29, 2015, 06:43 PM

http://www.videoguys.com/blog/news-and-sales/avid-...

Avid ISIS shared storage is the standard for the media and entertainment industry and now, with the new Avid ISIS | 1000, it is now affordable for small workgroups! The Avid ISIS | 1000 includes 10 2TB SSD drives for 20TB of shared storage and fits perfectly into every workflow including Avid Media Composer, Apple Read More The post Avid ISIS | 1000 for Adobe Premiere Pro appeared first on Videoguys Blog.

Motion Design 101

October 29, 2015, 06:42 PM

http://motionworks.net/motion-design-101/

Mograph Mentor founder Michael Jones has announced Motion Design 101 – a new course designed to teach foundation motion design skills. Michael kindly gave us some insight into the course and why he created it.

THE NEW ADVENTURES OF ALADDIN: VFX Breakdown

October 29, 2015, 11:28 AM

http://www.artofvfx.com/the-new-adventures-aladdin...

Digital District have released this VFX breakdown about their work on THE NEW ADVENTURES OF ALADDIN...

Tippett Studio // Monsters

October 29, 2015, 11:27 AM

https://vimeo.com/143943196

Nice reel by Tippett Studio showing the various Monsters created for AFTER EARTH, CLOVERFIELD, CONSTANTINE, STARSHIP TROOPERS and more...

ILM London Adds Veteran VFX Supe David Vickery

October 29, 2015, 04:38 AM

http://www.animationmagazine.net/people/ilm-london...

Industrial Light & Magic has added BAFTA-winning visual effects supervisor David Vickery to its expanding London studio.

Is CGI Getting Worse?

October 28, 2015, 03:48 PM

http://www.watchindie.net/2015/10/28/is-cgi-gettin...

It seems like “good” CGI, or at least audiences perceptions of good CGI, is in decline over the past few years. Sure, you have amazing anomalies like Gravity or Interstellar, but on a whole, CGI quality is trending downward. Is CGI getting worse? Or are audiences harder to please? Let’s take a closer look at the state of VFX industry in the following post.

Creating Zero Gravity for The Martian

October 28, 2015, 10:00 AM

http://www.thecredits.org/2015/10/how-the-martians...

As The Martian continues its impressive box office run and enjoys some early Oscar buzz, The Credits talks to Richard Stammers, the film’s visual effects supervisor and a frequent collaborator with Ridley Scott, about the dual challenge of recreating the Mars landscape and simulating a convincing zero gravity environment without anyone having to get in a “vomit comet”.

THE LAST WITCH HUNTER: Ara Khanikian - VFX Supervi

October 28, 2015, 09:59 AM

http://www.artofvfx.com/the-last-witch-hunter-ara-...

In 2013, Ara Khanikian had explained in detail the work of Rodeo FX on NOW YOU SEE ME. He then worked on many projects and oversaw the visual effects of BIRDMAN and TOMORROWLAND. He now talks about THE LAST WITCH HUNTER, which marks the third Rodeo FX collaboration with Nick Brooks.

1 60 61 62 63 64 68

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.