It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 1, 2016, 10:44 AM
http://www.videoguys.com/blog/its-back-edius-jump-...
It’s Back! EDIUS Jump Upgrade Promotion from any version of EDIUS Software EDIUS Pro Jump Upgrade from Any EDIUS Version $349.00 The EDIUS Jump Promotion will be from February 1st until April 30th, 2016 any EDIUS Neo user (versions 1 to 3.5) or EDIUS Pro user (versions 2 to 6.5) can upgrade to EDIUS Read More The post It’s Back! EDIUS Jump Upgrade appeared first on Videoguys Blog.
February 1, 2016, 10:43 AM
https://www.fandor.com/keyframe/outing-sergei-eise...
“My first idea,” Peter Greenaway said, “was to make a documentary about what happened with the non-edit of this film, which was so close to his heart and mind and which forever afterwards he always regretted not finishing. So I went down to Mexico and Guanajuato and was fascinated by its ‘Museum of the Dead.’ Then I began writing dialogue—which is a completely un-documentary activity. There is a deliberate free-association, shall we say, of fact and fiction. There’s no such thing a...
February 1, 2016, 10:41 AM
http://www.aotg.com/index.php?page=the_force_awake...
Gordon sits down with Mary-Jo Markey and Maryann Brandon to discuss the editing of Star Wars: The Force Awakens.
February 1, 2016, 06:39 AM
http://postperspective.com/ace-awards-eddies-best-...
Friday evening in Beverly Hills, some of the top editors in the business gathered for the 66th Annual ACE Eddie Awards, which recognize the best editing of 2015 in film, television and documentaries. The night’s host was actor Adam Devine. Mad Max: Fury Road, which was edited by Margaret Sixel, won Best Edited Feature (Dramatic) and The Big Short, cut by edited by Hank Corwin, ACE, won Best Edited Feature Film (Comedy). Inside Out, edited by Kevin Nolting, ACE, won Best Edited Animated Fe...
February 1, 2016, 06:39 AM
http://www.fcp.co/final-cut-pro/articles/1766-fcpx...
I recently took delivery of a new iMac 27-inch with Retina 5K display. So what better opportunity to test it out than the hardest broadcast job I do all year. So how did it and Final Cut Pro X cope? The last two years were with a Mac Pro, would it be fast enough?
February 1, 2016, 06:39 AM
http://www.digitalrebellion.com/blog/posts/arri_al...
I've been working on a feature film shot on the ARRI Alexa and Alexa Mini and had to come up with a workflow for syncing and rendering out dailies. DaVinci Resolve 12 proved useful because all of the prep work could be done in one application all at once, with the added bonus of being able to roundtrip again after picture lock. Step 1: Offloading I used our very own Auto Transfer tool to offload the memory cards to two hard drives at once with checksum authentication to ensure the copies ...
February 1, 2016, 06:38 AM
http://sevencamels.blogspot.ca/2016/01/cutting-for...
Often, when we talk about cutting in film, we think about cutting as a way to expand time (using lots of cuts to stretch out an important event) or contract time (cutting to skip over lengthy, boring unnecessary moments in the story).
January 30, 2016, 07:12 AM
http://www.hollywoodreporter.com/behind-screen/mad...
Margaret Sixel, editor of George Miller's post-apocalyptic Mad Max: Fury Road; and Hank Corwin, editor of Adam McKay's economics dark comedy The Big Short, won the awards for best edited dramatic feature and best edited comedy feature, respectively, at American Cinema Editors' 66th annual Eddie Awards, Friday at the Beverly Hilton Hotel.
January 29, 2016, 02:28 PM
http://www.avidblogs.com/media-composer-8-5-now-av...
The article Media Composer 8.5 Now Available—Expand Your Workflow with New Features and Enhancements by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
January 29, 2016, 02:28 PM
http://www.studiodaily.com/2016/01/avid-media-comp...
It's been a good year for Avid editors, as new versions of Avid Media Composer made high-res workflow a reality on the system, adding custom resolutions that topped out at a massive 8K square: 8192×8192. The latest update, Media Composer 8.5, … more » The post Avid Media Composer 8.5 Adds HDR, Simplifies Menus, Offers Better Feedback on the Timeline appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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