It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 28, 2016, 06:03 AM
http://cinescopophilia.com/grab-80-iwltbap-luts-an...
Along with the free LUTs Benjamin is also offering the IWLTBAP LUT pack with 80 fresh LUTs. The IWLTBAP LUT pack offers some original looks that have been created especially for the pack. Or they have come from video projects Benjamin has worked on in the past.
January 27, 2016, 10:24 AM
http://www.premiumbeat.com/blog/color-correcting-a...
The Sony a7S II is one of the most popular mirrorless cameras on the market for video, but it calls for some extra color grading in post to get the footage looking just right. Here's how you can get great results.
January 26, 2016, 08:23 PM
http://cinescopophilia.com/how-to-colour-grade-s-l...
Casey Faris is back with a very handy tutorial on how he likes to colour grade S-Log2 footage in Blackmagic DaVinci Resolve.
January 26, 2016, 10:16 AM
http://www.premiumbeat.com/blog/29-free-luts-for-v...
These FREE LUTs are perfect for professional video editors. Make your footage more cinematic with these free color grading tools.
January 21, 2016, 06:34 AM
https://events.creativecow.net/event/4167/ica-trai...
AbelCine has partnered with the International Colorist Academy (ICA) to offer this Looks and Matching Masterclass with Warren Eagles. In this creative, two-day workshop, participants will learn how color correction can bring their movie or sequence to life.
January 20, 2016, 10:27 AM
http://www.premiumbeat.com/blog/grading-insights-p...
We sat down with colorist, Patrick Inhofer, to discuss his color grading process and how new colorists can jump into the color industry.
January 18, 2016, 06:19 AM
http://www.4kshooters.net/2015/12/28/10-free-luts-...
This past year has been rather generous to us filmmakers in the way of new and amazing cameras, innovative post-production tools, lenses and other accessories designed to make our lives as video content creators a bit easier. As we get ready to say goodbye to 2015, we have put together a collection of FREE LUTs and other tools for filmmakers as well as some awesome deals on lenses, camera and other gear.
January 15, 2016, 06:49 AM
http://vanhurkman.com/wordpress/?p=3499
It all started with me wanting to analyze the color of some out-of-calibration projectors with potentially aged bulbs in order to see if I could create a “poorly calibrated projector” LUT to more closely examine the effects of poor projector quality on a graded image. Why is a tale for another time; suffice it to say, it’s a research project.
January 14, 2016, 01:22 PM
http://www.premiumbeat.com/blog/davinci-resolve-ti...
Color correction can be a very frustrating process for those without much post-production experience, but using a color chart on set can make things much easier in DaVinci Resolve.
January 12, 2016, 05:29 AM
http://postperspective.com/review-blackmagics-davi...
This working editor is impressed with the color correction tool’s NLE offerings. By Brady Betzel If you’re looking for a nonlinear editor alternative to Adobe Premiere, Apple FCP X or Avid Media Composer you must check out Blackmagic Design’s DaVinci Resolve 12 Studio. The best part about the continuing evolution of Resolve is that Blackmagic has been adding NLE functionality to its color correction software, instead of building an editor from the ground up. In terms of editing sys...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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