To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Uncategorized
Oscar-Nominated Editor Stephen Mirrione on Cutting
January 15, 2016, 09:03 PM
http://www.studiodaily.com/2016/01/oscar-nominated...
Like its ferocious 19th century protagonist Hugh Glass, The Revenant has hewed an arduous path toward redemption. Filmed in remote locations in the Canadian Rockies and Patagonia under extremely difficult conditions, the production was as unique and challenging as it was rewarding … more » The post Oscar-Nominated Editor Stephen Mirrione on Cutting The Revenant appeared first on Studio Daily.
Avid Live Sound Systems at ISE 2016
January 15, 2016, 09:03 PM
http://www.avidblogs.com/avid-live-sound-systems-a...
The article Avid Live Sound Systems at ISE 2016 by Derk Hagedorn appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
SGO Celebrates Tel Aviv's Edit Studios
January 15, 2016, 01:59 PM
https://news.creativecow.net/story/880553
(Tel Aviv, Israel--January 15, 2016) Tel Aviv-based Edit Studios used Mistika's colour-finishing capabilities to grade “Baba Joon”, named best film at the most recent “Ofir Awards”, the Israeli version of the Academy Awards. “Baba Joon” is a feature-length directorial debut by screenwriter director Yuval Delshad, an Israeli and himself, the son of Iranian immigrants. “Baba Joon”was the first feature on Edit Studio's Mistika that was shot using Red.
Editing in a Pinch: Sony's Catalyst Production Sui
January 15, 2016, 01:59 PM
http://www.moviemaker.com/archives/moviemaking/edi...
Over the years, one-time industry standard Avid Media Composer has met with Apple’s Final Cut Pro, Adobe’s Premiere Pro (and applications like After Effects), and most recently Blackmagic’s upgrade of their color software, DaVinci Resolve, into a full NLE.
The Technology Behind Brain Farm’s Breathtaking
January 15, 2016, 11:49 AM
http://www.premiumbeat.com/blog/the-technology-beh...
Brain Farm Digital Cinema is a production company known for its work in advertisement, television, and most of all, action sports documentaries. Let's take a look at some of the revolutionary technology they have worked with over the years.
Audio Hold Frames in Final Cut Pro X
January 15, 2016, 11:48 AM
http://www.provideocoalition.com/audio-hold-frames...
Getting work done just in time to leave for the da
January 15, 2016, 11:48 AM
http://renderplease.com/post/137352991035
SGO Celebrates Edit Studios’ Award-Winning Work
January 15, 2016, 11:47 AM
http://www.sgo.es/2016/01/sgo-celebrates-edit-stud...
“Baba Joon” named Best Film at the recent “Ofir” Awards, Israeli version of the Oscars. Tel Aviv-based Edit Studios used Mistika’s colour-finishing capabilities to grade “Baba Joon”, named best film at the most recent “Ofir Awards”, the Israeli version of the Academy Awards. “Baba Joon” is a feature-length directorial debut by screenwriter director Yuval Delshad, an Israeli and himself, the ... Read More
Get Started Fast with NewBlue Titler Pro for Media
January 15, 2016, 11:47 AM
http://www.videoguys.com/blog/news-and-sales/get-s...
Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 1 Episode 1: The Anatomy of Applying Basic Titles In this first video tutorial of Get Started Fast with NewBlue Titler Pro for Media Composer you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. Discover the various ways to: Apply resolution independent titles Read More The post Get Started Fast with NewBlue Titler Pro for Media Composer appeared first on Videoguys Blog.
Five Hot Takes on the 2016 Oscars
January 15, 2016, 06:59 AM
http://www.studiodaily.com/2016/01/five-hot-takes-...
1) #oscarssowhite Last year at this time, The Atlantic ran a headline complaining, "The Oscars haven't been this white in 19 years," noting that 2015 was the first time in since 1996 that all 20 acting nominees were white. Well, … more » The post Five Hot Takes on the 2016 Oscars appeared first on Studio Daily.
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