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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe Presents Adobe Anywhere

July 12, 2013, 04:33 AM

http://hdslrshooter.com/hdslrshooteradmin/adobe-pr...

Adobe Anywhere allows you and a group collaborate on projects from Adobe's Adobe Premiere Pro and Prelude apps with After Affects to be added later.

Background Media Processing in Avid Media Composer

July 11, 2013, 09:42 AM

http://www.videoguys.com/Blog/E/Background+Media+P...

Although Media Composer's AMA plug-in architecture allows virtually any file-based source media to be played in real time without first transcoding to Avid's native DNxHD codec, many times editors will want to transcode anyway to take advantage of the maximum playback performance DNxHD offers.

Video Tutorials: Adobe Encore Workflow Series

July 10, 2013, 02:00 PM

http://www.premiumbeat.com/blog/video-tutorials-ad...

Get schooled on DVD and Blu-Ray authoring in Adobe Encore! In this Encore video tutorial series you'll learn how to send video projects to Encore from Premiere Pro, create interactive menus and other advanced DVD authoring topics.

Free Swish Transition Effects for FCPX

July 10, 2013, 02:00 PM

http://www.noiseindustries.com/blog/final-cut-pro/...

Two free plugins for all FCP, Premiere and After Effects users...

New MacBreak Studio episode

July 10, 2013, 09:50 AM

http://www.motionvfx.com/mblog/new_macbreak_studio...

New MacBreak Studio episode - learn how to create waves in Motion!

Lo-Fi Look Effect for FCP X, Premiere Pro, After E

July 9, 2013, 09:42 AM

http://www.noiseindustries.com/blog/after-effects/...

Create a moody and surreal atmosphere with a genuine vintage feel. Compatible with Final Cut Pro, Motion, After Effects and Premiere Pro...

Media Manager or Project Manager

July 9, 2013, 04:33 AM

http://vimeo.com/69922489

Final Cut Pro, Adobe Premiere Pro, Media Manager, Project Manager and Editorial

Blackmagic RAW CinemaDNG Workflow for Resolve

July 9, 2013, 04:32 AM

http://filmmakeriq.com/2013/07/blackmagic-camera-r...

Denver Riddle explains the workflow for working with CinemaDNG using DaVinci Resolve (this process can also be employed with Canon Magic Lantern Raw once they have been converted to a DNG sequence)

FCPX 101: Easy Multicam For YouTubers

July 8, 2013, 02:27 PM

http://news.doddleme.com/blogs/post-production/fin...

use Final Cut Pro X's multicam function to easily and quickly cut music videos and more

Red Giant: demo of Bulletproof

July 8, 2013, 04:47 AM

http://vimeo.com/69849146

BulletProof is a complete media prep and delivery solution for footage that simplifies the tedious tasks facing filmmakers every day on set.

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