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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

GoPro Color Grading Tips and Workflow

May 21, 2015, 04:15 PM

https://www.aotg.com/gopro-color-grading-tips-and-workflow/

Here are some random tips for color grading GoPro footage shot with Protune.

Color Grading with Magic Bullet Looks

May 10, 2015, 07:54 AM

https://www.aotg.com/color-grading-with-magic-bullet-looks/

Color grading inside of Premiere using Magic Bullet Looks.

Hangtime 2 - Amazing Color Grading LUTs for GoPro

May 9, 2015, 01:52 PM

https://www.aotg.com/hangtime-2-amazing-color-grading-luts-for-gopro/

Hangtime 2 is a color grading LUT pack specially designed for Protune footage shot on GoPro action cameras.

Davinci Resovle VS Adobe Speedgrade

May 4, 2015, 12:17 PM

https://www.aotg.com/davinci-resovle-vs-adobe-speedgrade/

This is to answer the question i get asked the most. Learn Davinci Resolve, or Adobe Speedgrade?

Meet ACES, the Pro Color Management Standard

April 30, 2015, 03:53 PM

https://www.aotg.com/meet-aces-the-pro-color-management-standard/

Learn more about the Academy's ACES color encoding and management system, which is rapidly becoming an industry standard.

What if Man of Steel was IN COLOR?

April 24, 2015, 04:46 AM

https://www.aotg.com/what-if-man-of-steel-was-in-color/

VideoLab attempts to turn back time and restore the natural color & brightness in shots from DC's Man of Steel. Turns out there was a beautiful Zack Snyder movie hiding underneath the bleak coloring.

Color Grading with Alex Jordan: LUTs and Highlight

April 22, 2015, 12:47 PM

https://www.aotg.com/color-grading-with-alex-jordan-luts-and-highlight/

Join Alex Jordan and I for a conversation about LUTs and highlight rolloff, a couple of interesting topics in the context of color correction.

A Look at the new Color Grading Features in Premie

April 10, 2015, 12:49 PM

http://wolfcrow.com/blog/a-look-at-the-new-color-g...

Clint Milby gives us an overview of the new color grading features in Adobe Premiere Pro...

My RØDE Reel Tips & Tricks - Colour Correction

April 1, 2015, 04:53 AM

https://www.youtube.com/watch?v=JMcRdjA_VYk

It is important to ensure colour consistency in your film. While setting your white balance in camera is good practice, a physical grey card provides a visual reference to getting a neutral colour balance in post.

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