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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

MC6 Lesson 57: Animation: Split Screens 4

February 8, 2013, 08:48 PM

http://library.creativecow.net/mcauliffe_kevin/Avi...

In this last part of our look at Split Screens inside of Media Composer and Symphony, Kevin P McAuliffe gives you an introductory look at Matte Keying, and shows you why working with them has a huge, hidden advantage while working inside of your MC/Symphony timeline.

Video Editing Tutorial: Using Markers in Premiere

February 8, 2013, 02:26 PM

http://www.premiumbeat.com/blog/markers-in-premier...

Premiere Pro has introduced a ton of new functionality when adding and editing markers. In this post we show you multiple ways to use Premiere Pro markers in your video editing projects to make your workflow more efficient.

Upscaling your RED sequences - New Smoke training

February 8, 2013, 02:26 PM

http://area.autodesk.com/blogs/discreetuk/upscalin...

I am always surrounded by swirling ideas everywhere and I do try prioritise what I make first but this little user request caught my eye and I am sure that most people in post have come across this or will come across it at some point in their careers.

PROCUTX tutorial “Getting started”

February 8, 2013, 08:02 AM

http://www.hdwarrior.co.uk/2013/02/08/procutx-tuto...

Having bought PROCUTX from Pixel Studios I had a lot of faffing about to make the app happen so I made this quick tutorial so you can get to grips with the app making the install a lot easier.

Patrick Scully introduces iPixelflow

February 8, 2013, 07:49 AM

https://www.aotg.com/patrick-scully-introduces-ipixelflow/

Patrick Sculley of Pixelflow introduces iPixelflow to the January 2013 meeting of The LA Creative Pro User Group. Collaborate, Share, Customer Review and Approve video projects in the cloud. Hosted by Michael Horton...

How to Remove a Green Screen in DaVinci Resolve

February 7, 2013, 07:40 PM

http://www.blackmagicuser.net/topic/366-medium-how...

This tutorial shows you how to use nodes, the qualifier, and the alpha output to remove a green screen in DaVinci Resolve. It's not as powerful an option as using Adobe After Effects, but if you need to remove a green or blue screen in DaVinci Resolve this is how you can do it.

Basic Training Davinci Resolve 9...

February 7, 2013, 07:30 AM

http://feedproxy.google.com/~r/norendercom/~3/XsoO...

(In Spanish) We present the seventh installment of the course Basic Trainning of Davinci Resolve. In this new video tutorial, free , of Davinci Resolve let's see how they work the secondary correction in Davinci Resolve , a way to get some amazing changes in the material to be colored.

Blackmagic Cinema Camera Raw vs. ProRes

February 6, 2013, 08:03 PM

http://www.creativeplanetnetwork.com/dv/news/black...

Check out this side-by-side comparison of Blackmagic Cinema Camera raw vs. ProRes output. Explains uploader Lindqvist Radio & TV, "I set up 1 pcs 24W LED (from right side). Adjusted dimmer on LED to match T/5.6 on lens. I then adjusted iris only on lens for the different shots...

Lo-Fi Look for Final Cut Pro X

February 6, 2013, 03:57 PM

http://www.noiseindustries.com/blog/announcements/...

Create moody and surreal atmospheres with a genuine vintage feel in FCPX. Read More

Sync Sound in Final Cut Pro X

February 6, 2013, 12:01 PM

http://feedproxy.google.com/~r/richardharringtonbl...

Adorama Photography TV Presents DSLR | Video Skills with Rich Harrington. Now that Rich has explored the sync sound workflow and production process in earlier episodes, it's now time to bring the processed material into Final Cut Pro X and line them up. Watch as he takes you through the different ways of synchronizing and also how to use popular programs, such as Plural Eyes, for those high volume projects.

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