It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 11, 2012, 03:02 PM
https://www.aotg.com/media-composer-6-5-avid-media-authoring/
AMA makes it easy to access and edit file-based media without transcoding. Now you can use AMA to export files back to the media's original source format for archiving or final delivery through Avid Media Authoring, which will be available as our partners update/develop their AMA plug-ins. And with new AMA Volume export support, you can create AS-02, JPEG 2000, DNxHD, AVC-I, and other file-based media volumes for roundtrip workflows, sharing, or archival.
October 6, 2012, 03:36 PM
https://www.aotg.com/michael-horton-speaks-on-lafcpug-name-change/
Michael Horton speaks on LAFCPUG name change.Michael Horton speaks to the members on why he changed the name of The The LA Final Cut Pro User Group to The LA Creative Pro User Group.
October 3, 2012, 07:34 AM
https://www.aotg.com/michael-cioni-evolution-or-extinction/
This hard hitting presentation from Light Iron's, Michael Cioni, investigates the changing nature of the production and post-production industry.
October 2, 2012, 05:17 PM
https://www.aotg.com/davinci-resolve-9-raw-image-workflow/
Cinematographer John Brawley and Digital Colourist Giles Livesky, take to the stage to investigate the Blackmagic Cinema Camera and how the RAW images work in combination with DaVinci Resolve.
October 2, 2012, 09:16 AM
https://www.aotg.com/ibc-2012-complete-dolby-e-workflow-for-mc6/
Minnetonka Audio Software's SurCode for Dolby E Decoder plug-in decodes Dolby E files back to discrete base-band PCM, resulting in a sample-accurate, fully time-aligned set of files ready for distribution or further editing. The decoder plug-in appears in the insert chain on your channel strip with all other RTAS plug-ins, and will decode your audio in sync with the timeline.
September 27, 2012, 03:00 PM
https://www.aotg.com/time-lapse-in-after-effects-ep-112/
AdoramaTV presents DSLR | Video Tips with Richard Harrington. In this episode, Rich takes you further into the creation of Time-Lapse animations by giving you an advanced look into the most professional way to assemble your files using Adobe After Effects.
September 26, 2012, 02:53 PM
https://www.aotg.com/411-publishing-tech-tip-from-nab-2012-episode-4/
Part Four of this four part series takes look at Manhattan Edit Workshop (MEH). Manhattan Edit Workshop is a premiere editing training group. Josh Apter shares some terrific insights into the world of film and television editing.
September 22, 2012, 08:19 AM
https://www.aotg.com/resolve-9-ext-fill/
Walkthrough of a great new feature in Resolve 9 you might not have noticed.
September 21, 2012, 07:27 AM
https://www.aotg.com/ibc-2012-whats-new-in-avid-ds-11/
Avid DS is a full-featured editing, graphics creation, color correction, and compositing solution, and is the absolute best conforming tool for Media Composer and Symphony to create and deliver high-end content. Save time and money by keeping all editing and finishing in house. Choose the low cost software-only version to use with your existing hardware...
September 21, 2012, 07:27 AM
https://www.aotg.com/ibc-2012-work-anywhere-with-interplay-sphere/
Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting them combine footage from the scene with material on the Interplay Production system. For quick turnaround, proxies of finished edits can precede upload of full resolution media, all becoming available to everyone in the facility or the field in one simple, transparent process.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.