To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Video
The Water Man VFX Breakdown by Pixomondo
July 20, 2021, 09:00 AM
https://www.artofvfx.com/the-water-man-vfx-breakdo...
Let’s discover the invisible work made by the teams of Pixomondo on the movie, The Water Man...
The Nevers VFX Breakdown by Scanline VFX
July 20, 2021, 09:00 AM
https://www.artofvfx.com/the-nevers-vfx-breakdown-...
Scanline VFX created a beautiful and mysterious spaceship, magical FX and much more for the HBO Max series, The Nevers...
From the Vault – Dede Allen, ACE
July 18, 2021, 02:44 PM
https://americancinemaeditors.org/from-the-vault-d...
ACE Committee Meetings 2021
July 16, 2021, 08:56 AM
https://americancinemaeditors.org/ace-committee-me...
Space Jam A New Legacy Visual Journey Featurett
July 16, 2021, 08:56 AM
https://www.artofvfx.com/space-jam-a-new-legacy-vi...
Don’t miss this cool featurette by Warner Bros showing many breakdown footage about Space Jam: A New Legacy!
American Cinema Editors
July 16, 2021, 08:55 AM
https://americancinemaeditors.org/ace-committee-me...
ACE Committee Meetings 2021
From Game to Screen The Making of Mortal Kombat
July 16, 2021, 08:55 AM
https://www.artofvfx.com/from-game-to-screen-the-m...
Warner Bros has released this interesting making of about the different aspects of Mortal Kombat and of course the VFX work (made by Rising Sun Pictures, Mr. X, Method Studios, SlateVFX, SCRTLB – Secret Lab) explained by Overall VFX Supervisor Chris Godfrey (around 0:13:00)!
How the F9 filmmakers used camera arrays and blu
July 16, 2021, 08:55 AM
https://beforesandafters.com/2021/07/16/how-the-f9...
Amongst an impressive array of stunts and practical effects filmmaking, the Fast & Furious movies have always made use of visual effects to help tell their stories. This might be to make vehicles—and characters—carry out extraordinary jumps, leaps and crashes that cannot be staged physically, to place actors inside cars during daring stunts, or to extend locations where action perhaps could not be filmed. A common practice in the movies also, for example, has been to piece together multiple ...
The making of Mortal Kombat
July 15, 2021, 09:00 AM
https://beforesandafters.com/2021/07/15/the-making...
WATCH THIS OFFICIAL FEATURETTE COVERING SEVERAL ASPECTS OF THE PRODUCTION, INCLUDING SFX AND VFX.
VFX Artifacts The Bullet Time rig from The Matri
July 15, 2021, 09:00 AM
https://beforesandafters.com/2021/07/15/vfx-artifa...
The bullet time effect from The Matrix still captivates audiences, partly for the on-screen effect itself, and partly for how it was achieved with an array of still cameras and virtual backgrounds.
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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