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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Visual Effects Help Design the Crime in Disneys

July 15, 2021, 09:00 AM

https://www.awn.com/vfxworld/visual-effects-help-d...

As much as Emma Stone’s fantastic performance has claimed the spotlight on Disney’s Cruella, the studio’s hit film that explores the iconic villainess’ origins, the numerous canine cast members are as equally compelling. VFX supervisor Max Wood, along with MPC Film, created CG versions of the Baroness’ (Emma Thompson) three Dalmatians, Buddy the Terrier as a puppy and adult, and the eye-patched Chihuahua known as Wink.

Resident Evil Infinite Darkness Behind the Scen

July 15, 2021, 08:59 AM

https://www.artofvfx.com/resident-evil-infinite-da...

Netflix has released this interesting behind the scenes video about the motion capture and virtual production work for the animated series Resident Evil: Infinite Darkness. The animation and CG work are made by Quebico...

The Irregulars VFX Breakdown by Goodbye Kansas S

July 14, 2021, 09:11 AM

https://3dtotal.com/news/general/the-irregulars-vf...

Goodbye Kansas Studios have released a VFX breakdown of their work on the first season of The Irregulars.

Milk VFX Environments reel 2021

July 14, 2021, 09:10 AM

https://vimeo.com/572617784

After their creatures work, let’s have a look at the environments work by London based studio Milk VFX made on Intergalactic, Cursed, Rebecca and many more...

Army of the Dead VFX Breakdown by Framestore

July 13, 2021, 09:18 AM

https://3dtotal.com/news/general/army-of-the-dead-...

Framestore have gone behind the scenes of their VFX for Army of the Dead.

Milk VFX Creature reel 2021

July 13, 2021, 09:18 AM

https://vimeo.com/572575028

The London based studio Milk VFX presents the variety of their creatures work made on Intergalactic, Four Kids and It, Good Omens and many more...

How To Make Your Videos Pop in the Edit

July 10, 2021, 11:39 AM

https://fstoppers.com/vfx/how-make-your-videos-pop...

Videography has become more demanding than ever before in terms of expected quality. While much of this difficulty is found behind the camera, on location, your edit makes up a large part of it too. In this video, find out how one videographer makes his videos pop in the post-production phase. If you're new to videography, even if you're a veteran photographer, it can be

ILP Jupiters Legacy VFX breakdown

July 8, 2021, 09:02 AM

https://vimeo.com/571291594

The teams of Important Looking Pirates take us for a tour on sea in this VFX Breakdown showing their work on the Netflix series, Jupiter’s Legacy

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