It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 16, 2022, 08:32 AM
https://beforesandafters.com/2022/03/16/watch-rode...
The VFX studio showcases their work.
March 11, 2022, 08:19 AM
https://www.artofvfx.com/see-season-2-vfx-breakdow...
Let’s have a look at the FX and crowd work made by Chicken Bone FX on the season two of the Apple TV+ post apocalyptic series...
March 10, 2022, 08:38 AM
https://www.youtube.com/watch?v=7_z-BwZeuQs
Why Dune's Editing Feels Different
March 10, 2022, 08:35 AM
https://www.artofvfx.com/hawkeye-vfx-breakdown-by-...
If you like crazy car chase sequence, you have probably have seen this impressive one in the Marvel Studios series, Hawkeye. Let’s discover how Weta Digital created it in this VFX Breakdown...
March 9, 2022, 08:33 AM
https://twitter.com/DCpeacemaker/status/1499837622...
Don’t miss this VFX Breakdown featuring lots of creatures and gore made by the teams of Weta Digital and Crafty Apes on the DC series, Peacemaker
March 9, 2022, 08:32 AM
https://www.slashfilm.com/792573/the-morning-watch...
(The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fan-made productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.)
March 9, 2022, 08:31 AM
https://www.artofvfx.com/dollface-season-2-vfx-bre...
The teams of Ingenuity Studios present the variety of their work (from environment to face replacement) made for the second season of Dollface...
March 8, 2022, 08:39 AM
https://www.artofvfx.com/a-discovery-of-witches-se...
Let’s discover the environment and magical work made by the teams of Outpost VFX on the third season of A Discovery of Witches...
March 4, 2022, 07:30 AM
https://www.artofvfx.com/the-witcher-season-2-craf...
The teams of Rodeo FX offer us a deeper look at the creation of the Eskel’s Leshy character made for the second season of The Witcher!
March 3, 2022, 07:50 AM
https://3dtotal.com/news/general/lost-in-space-sea...
Digital Domain have posted a VFX breakdown of their work on the final season of Lost in Space.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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